Glass chicken egg used for inducing hens to lay eggs. According to Mrs. Gold, to encourage a hen to lay eggs in a specific place, farmers would often begin making their nests and place the artificial nesting eggs in them with the hope that the hen would complete her nest in that location. This also helped the farmer keep track of which hens were laying eggs and where the eggs were located. The glass eggs remained in the nest until the hen laid and incubated the eggs and the offspring hatched. It was important to maintain this process and promptly remove the artificial egg so that it could be reused.
A glass turkey egg used to encourage turkey hens to lay eggs in a particular location. According to Mrs. Gold, to encourage a hen to lay eggs in a specific place, farmers would often begin making their nests and place the artificial nesting eggs in them with the hope that the hen would complete her nest in that location. This also helped the farmer keep track of which hens were laying eggs and where the eggs were located. The glass eggs remained in the nest until the hen laid and incubated the eggs and the offspring hatched. It was important to maintain this process and promptly remove the artificial egg so that it could be reused.
An unidentified woman wearing a long coat stands in front of tree. There is a vehicle in the background. Inscription reads “March 4, 1926. To Miriam and Uncle Herbert.”
Miriam DeCosta Seabrook is sitting in a wicker chair at the home of Anna and George Hunter. She is turned in profile and is wearing a pink robe. Inscription reads “Miriam Seabrook at Anna and George Hunter”
Snake-shaped wrought iron art object. The eyes are painted red and there are gold painted markings on the body. Forged by Carlton Simmons, Charleston, South Carolina.
St. Julian DeCosta standing in front of bushes. He is wearing a long sleeve shirt, tie and pants. Inscription reads [On front]"Chief DeCosta." [On back] "From your brother with love, St. Julian DeCosta for Chief DeCosta."
Miriam DeCosta Seabrook, Raymond T. DeCosta, and Herbert U. Seabrook, Jr. are standing outside in front of a brick chimney. Miriam is wearing a sleeveless dress, Raymond is wearing a suit, and Herbert is wearing a long sleeve shirt and shorts.
Miriam DeCosta Seabrook is standing outside in front of trees. She is wearing side button slacks and a kerchief. There is a wooden structure in the background.
Composite print featuring three variations of an unidentified infant sitting in chair. In each image, the child is holding a different object: a bottle, stuffed animal, and teddy bear. The actual photograph is torn in two.
Unidentified infant wearing a cap is sitting in rocking chair in front of 167 Congress Street. Inscription reads “A.B. Photo Finishers 'Always Busy' Mezzaine Giddens-Lane Bldg.”
Miriam DeCosta Seabrook is standing indoors while attending Herbert U. Seabrook, Jr.'s wedding. She is wearing a formal dress with lace. Inscription reads: “[illegible] posed for his wedding minus hat worn - June 25, 1950”
Miriam DeCosta Seabrook and Eugenia DeCosta Higgins are standing outside beside each other. Miriam is wearing a straw hat and light dress. Eugenia is wearing a short sleeve dress with ruffles.
