Glass chicken egg used for inducing hens to lay eggs. According to Mrs. Gold, to encourage a hen to lay eggs in a specific place, farmers would often begin making their nests and place the artificial nesting eggs in them with the hope that the hen would complete her nest in that location. This also helped the farmer keep track of which hens were laying eggs and where the eggs were located. The glass eggs remained in the nest until the hen laid and incubated the eggs and the offspring hatched. It was important to maintain this process and promptly remove the artificial egg so that it could be reused.
A glass turkey egg used to encourage turkey hens to lay eggs in a particular location. According to Mrs. Gold, to encourage a hen to lay eggs in a specific place, farmers would often begin making their nests and place the artificial nesting eggs in them with the hope that the hen would complete her nest in that location. This also helped the farmer keep track of which hens were laying eggs and where the eggs were located. The glass eggs remained in the nest until the hen laid and incubated the eggs and the offspring hatched. It was important to maintain this process and promptly remove the artificial egg so that it could be reused.
Front and top views of a contemporary sweetgrass basket for decorative use in the shape of a hat; center constructed of pine needle; sewn with palmetto leaf.
Front and top views of a contemporary sweetgrass basket for decorative use in the shape of a hat; center constructed of pine needle; sewn with palmetto leaf.
Front and interior views of a multiple views of a contemporary sweetgrass basket in the form of a hat, made of sweetgrass and bulrush and sewn with palmetto leaf. There is a felt band sewn inside.
Framed oil portrait of Thomas Miller, African American lawyer, politician, and educator who was a South Carolina legislator, member of the U.S. House of Representatives, and first President of South Carolina State College (formerly the Colored Normal Industrial Agricultural and Mechanical College of South Carolina).
Framed oil painting, "Shrimp Vendor," depicting an African American man with a tray of shrimp walking by a house with iron fence and balcony, typical of Charleston homes. On long term loan to the Avery Research Center from St. Mark’s Episcopal Church.
Untitled oil painting depicting a sailing vessel led by a tugboat. A buoy appears in the forefront and a city is visible in the background. Back of framed image reads "To our Friends The Sanfords; Xmas 1927; Elise and Teddy Harleston."
Chair made by slaves from Ridgley Plantation near Florence, South Carolina. The chair is made with mortise and tenon joints reinforced with square nails. The seat is of animal skin. Evidence that the legs of the chair have been shortened indicates that it was a slave's chair. Slaves were not permitted to sit higher than the master or his children.
Five dollar Confederate greenback issued on February 17, 1864 and redeemable two years after the ratification of a treaty of peace between the Confederate States of America and the United States of America. Printed by Evans & Cogswell in Charleston, South Carolina and engraved by Keatinge & Ball of Columbia, South Carolina.
Ten dollar Confederate greenback issued on February 17, 1864 and redeemable two years after the ratification of a treaty of peace between the Confederate States of America and the United States of America. Printed by Evans & Cogswell in Charleston, South Carolina and engraved by Keatinge & Ball of Columbia, South Carolina.
Pewter slave badge produced for a servant in Charleston, S.C. It was common to counterfeit badges to avoid paying taxes, and this particular one was not issued by the city, but created in the stamped year. The face is stamped "Charleston 1862 Servant #4." Back side contains no markings.
Copper slave badge, square in shape. Face is stamped "Charleston 1840 Servant 1869." 1840 is the year produced and 1869 signifies that it was the 1,869th "servant" badge sold that year.
Thick coiled rice fanner made of bulrush fastened with palmetto leaf. Although this is a contemporary basket, it is a very old form; few basketmakers use bulrush today because it is extremely tough to work.
Thick coiled round basket of bulrush fastened with palmetto leaf. Although this is a contemporary basket, it is a very old form; few basketmakers use bulrush today because it is extremely tough to work.
Multiple views of a hinged sweetgrass basket with domed cover, decorated with pine knots and used as a sewing basket. Made with sweetgrass, pine needle, and bulrush sewn with palmetto leaf.
Front and interior views of a miniature basket made of sweetgrass and pine needle sewn with palmetto leaf. Decorative version of a sewing basket with removable lid.
Egg basket made of sweetgrass, bulrush, and pine needle, sewn with palmetto leaf. Cross handle is decorated with pine knots; wall slopes out from flared mouth and in towards bottom.
