Alma Lopez and Mario Puga were born in Mexico. In this interview, they focus on their experiences as workers. Puga tells he started working at a young age with his father and asserts children mature quickly in Mexico. As a young man, he joined his brothers in Rhode Island, where he finished high school. When he returned to Mexico, he met Lopez. She worked in housekeeping. Later, both separately immigrated to the United States. Lopez was with her family in Johns Island and Puga joined her. There both worked in agriculture and progressively moved to less physically demanding jobs. Lopez learned English at Our Lady of Mercy and became active in the community. In 2015, she opened a cleaning business. In 2020, the COVID pandemic caused a severe decrease in revenue in her business. Seeking a way to support themselves during these trying times, they decided to dig into their cultural roots and sell food. They knew there was a need: Latino workers did not have a place to buy breakfast in the morning. Lopez and Puga discuss the nuances of the food truck business and assert that it is a very tiring activity. They state the biggest reward in this endeavor is to share their food with their clients and receive their appreciation.
Ruby Murray was born in Kingstree, South Carolina, and raised in St. Stephens, South Carolina. In the interview, she recalls her first day of employment at The Citadel’s Daniel Library on January 17, 1994, the same day Shannon Faulkner started taking full-time classes. Murray talks about her nuclear and extended family and remembers the construction of the Cooper River Rediversion Project and the impact it had on the community. She describes her experiences visiting Charleston as a child and later as a College of Charleston student in the mid-eighties. Murray reflects on her work at the Daniel Library and the changes she has witnessed over the years, including the Daniel Library and the Citadel's evolving relationships with the larger community. She defines her leadership style as “servant leadership” and stresses the importance of building relationships and genuinely caring for others.
Christina Butler is a historical preservationist, a professor at the College of Charleston, a horse-drawn carriage tour guide in Charleston, and an equine enthusiast. Growing up in Ohio, she spent considerable time around horses and stables. When she moved to Charleston at the age of 19, Butler recognized that becoming a tour guide would be the ideal opportunity to combine her love of history and her passion for horses. In this interview, Butler describes her background working with mules and draft horses and how she first became interested in these creatures. She also delves into Charleston's history regarding horses and the part they have played throughout the years. Butler also addresses the contentious issue of horse-drawn carriage trips, which many people feel are cruel and exploitative of the animals. She disagrees stating these horses have been bred to work, and asserting that they are treated with respect, and care. She hopes that by sharing accurate information and raising awareness about this issue, the city of Charleston will continue offering these tours that are worthwhile experiences for visitors.
Johnathan Lyon is a Dock Master at the Detyens Shipyard located in North Charleston, South Carolina. Lyon was born in 1958 in Awendaw, South Carolina, and has been employed at the shipyard since 1974 when he was 16 years old. With an extensive background working at Detyens, Lyon has witnessed the shipyard growth, has seen new safety measures put into place over the years, and has worked his way up in the ranks from his start in the carpenter shop to now as a Dock Master. Lyon provides a rundown of the day-to-day basis as a Dock Master and what some of these tasks might entail. He also discusses some of the challenges that are faced such as hurricanes and ship repairs. In addition to this, he praises his late mentor, Mr. Stewart, who taught him life lessons that he has remembered for years.
John Holenko is a musician from New Jersey with a master’s degree from the University of Southern California in classical guitar. In this interview, Holenko explores how his interest in music began, his journey of getting into gigging in Boston and California, and then eventually settling in Charleston, South Carolina. He now owns his own studio, Hungry Monk, where he gives music lessons to others. The name of his studio has its own story of how it came to be, as Holenko encountered actual Tibetan monks in a café that inspired the name. He also lists some of the places he has performed himself, including an Early Music Festival in Germany. Furthermore, Holenko touches on how COVID-19 affected his business, his personal music influences, and even provides some advice for those that are interested in getting into music.
Whitemarsh Smith III, Charleston native, Citadel alum, and long-time president of the Charleston Branch Pilot’s Association, has an extensive history in the waters of Charleston. In this interview, Smith dives into his experience as a Charleston pilot and provides details of various historical events he has witnessed. As a young man, Smith chose to take the college route and apply to The Citadel rather than head to Vietnam during the war. He graduated from The Citadel in 1966. He recounts his encounters at The Citadel and discusses his time following graduation being in the National Guard, where he witnessed a hospital strike here in Charleston in 1969. Smith details the challenges which came along with his apprenticeship during the process of becoming a Charleston pilot, as they spent the majority of their time on a boat. He gives listeners insight into the day-to-day operations as a Charleston pilot on a cargo ship as well as some of his own unique experiences. This includes experiencing DEA raids of foreign cargo ships, weathering hurricane Hugo, the recovery of the Hunley, and others. At the time of the interview, Smith was 77 years old and was planning his retirement.
Corey Clayton is a College of Charleston graduate, University of Alabama Birmingham graduate, and a member of Omega PSI Phi Fraternity, Inc., who at the time of the interview worked for Brownstone Construction Group building the International African American Museum in Charleston, South Carolina. His interest in engineering goes back to the summers working for his grandfather and his father, both of whom were general contractors. Additionally, he always had an interest in history. When he learned that the International African American Museum was going to be built, he knew he had to be a part of that process and decided to work for Brownstone Construction Group, a Black owned company, as a Quality Control Manager. In the interview, Clayton remembers the college professors that guided him and provided readings that allowed him to understand better his history. Finally, he reflects on the museum's relevance to the region and the deep personal significance of playing a part in its coming to fruition.
Sound engineer, drummer, and songwriter Jason Mcfarland was born in New York City in 1973. He has lived in the Lowcountry since the 80s. His earliest music memories are related to Joyce Kilmer Park in South Bronx where every Saturday bands like Chic or Talking Heads used to play. Additionally, he saw legendary musicians as The Jackson 5 and James Brown at the Apollo Theater where his cousin worked as a sound engineer. These early experiences were enriched by the Gospel and Funk sounds of Awendaw. Later, he attended Wando High School and was a member of the Marching Band. In the interview, McFarland tells about the origin of his first band, Funny Looking Kids, and explains how young musicians worked to find opportunities to play before the internet era. He reflects about punk culture and states that Black Flag, Bad Brains and the Descendents were his most influential artists. He affirms that touring with Fishbone was one of the most memorable and remarkable experiences of his career. He recalls the Charleston music scene in the 80s and 90s naming the music venues, record stores, and bars that congregated musicians and students in the city. McFarland is proud of his multifaceted career as a sound engineer and as a musician, which gives him multiple opportunities to enjoy great music. At the time of the interview, McFarland was playing with two bands, Funny Looking Kids and Hybrid Mutants.
Delia Chariker was born in born in Kingsville, Texas and when she was two moved to Clover, South Carolina where she grew up. Her earliest musical memories relate to her mother's big playful and musical family. She learned to play guitar when she was in High school. She attended college in North Carolina and after that she moved around the country playing in Nashville and California. However, making a living as a musician proved to be a struggle and she returned to school to obtain a Masters in Music therapy. She reflects about being a working musician and states this is one of the most rewarding times of her career: She is able to make a living creating music with her veteran clients and plays around town with her musician friends. Animas, her solo album reflects Chariker's deep connection with her Native American spirituality roots. At the time of the interview, Chariker was employed at the Ralph H. Johnson Veterans Affair Medical Center and was the Music Director at Unitarian Church in Mount Pleasant.
Music entrepreneur and philanthropist Eddie White was born in 1960 in Charleston, South Carolina. He attended Wando High School and later Furman University where he obtained a degree in dentistry, a profession he has practiced for more than thirty years. Music acquired an important place in White's life when he met his wife and her musical family. This interest deepened raising his three children because White became involved with his children music activities and by doing that, he had the opportunity to meet and share time with interesting and creative people. In 2007, after a series of collaborations with local musicians and small concerts, he opened Awendaw Green with the purpose of offering a listening environment for new bands and local talent. In the interview, White remembers the beginning of the project, the challenges they faced and reflects about the impact of Awendaw Green on the Lowcountry music scene and beyond.
