Sound engineer, drummer, and songwriter Jason Mcfarland was born in New York City in 1973. He has lived in the Lowcountry since the 80s. His earliest music memories are related to Joyce Kilmer Park in South Bronx where every Saturday bands like Chic or Talking Heads used to play. Additionally, he saw legendary musicians as The Jackson 5 and James Brown at the Apollo Theater where his cousin worked as a sound engineer. These early experiences were enriched by the Gospel and Funk sounds of Awendaw. Later, he attended Wando High School and was a member of the Marching Band. In the interview, McFarland tells about the origin of his first band, Funny Looking Kids, and explains how young musicians worked to find opportunities to play before the internet era. He reflects about punk culture and states that Black Flag, Bad Brains and the Descendents were his most influential artists. He affirms that touring with Fishbone was one of the most memorable and remarkable experiences of his career. He recalls the Charleston music scene in the 80s and 90s naming the music venues, record stores, and bars that congregated musicians and students in the city. McFarland is proud of his multifaceted career as a sound engineer and as a musician, which gives him multiple opportunities to enjoy great music. At the time of the interview, McFarland was playing with two bands, Funny Looking Kids and Hybrid Mutants.
Delia Chariker was born in born in Kingsville, Texas and when she was two moved to Clover, South Carolina where she grew up. Her earliest musical memories relate to her mother's big playful and musical family. She learned to play guitar when she was in High school. She attended college in North Carolina and after that she moved around the country playing in Nashville and California. However, making a living as a musician proved to be a struggle and she returned to school to obtain a Masters in Music therapy. She reflects about being a working musician and states this is one of the most rewarding times of her career: She is able to make a living creating music with her veteran clients and plays around town with her musician friends. Animas, her solo album reflects Chariker's deep connection with her Native American spirituality roots. At the time of the interview, Chariker was employed at the Ralph H. Johnson Veterans Affair Medical Center and was the Music Director at Unitarian Church in Mount Pleasant.
Music entrepreneur and philanthropist Eddie White was born in 1960 in Charleston, South Carolina. He attended Wando High School and later Furman University where he obtained a degree in dentistry, a profession he has practiced for more than thirty years. Music acquired an important place in White's life when he met his wife and her musical family. This interest deepened raising his three children because White became involved with his children music activities and by doing that, he had the opportunity to meet and share time with interesting and creative people. In 2007, after a series of collaborations with local musicians and small concerts, he opened Awendaw Green with the purpose of offering a listening environment for new bands and local talent. In the interview, White remembers the beginning of the project, the challenges they faced and reflects about the impact of Awendaw Green on the Lowcountry music scene and beyond.
Guitarist and entrepreneur Clelia Hand Reardon was born in Huntsville, Alabama. She recalls her beginnings: taking piano lessons when she was in first grade and knowing when she was only thirteen that she wanted to be a classical guitarist. Reardon talks about her mentor and friend, Mr. Fred Sabback, and states he was the biggest influence in her career. In the interview, Reardon reflects about her prolific career as a performer and as a teacher. She remembers her experiences playing in many shows in Charleston; included Man of the Mancha, Porgy and Bess, and Jesus Christ Superstar; touring Europe twice with a jazz band, and participating in the organization of the Guitar Foundation of America international conventions and competitions. Finally, she reflects about the rewards of her teaching career.
Erin McKee was born in Brooklyn, New York. Right after college, Mckee started her career as a flight attendant with National Airlines. When this company went bankrupt she joined Tower Air. In this interview, Mckee recalls some of the most dangerous, most difficult, and most satisfying moments she experienced working on international flights. In the ‘80s when she started working with the airline industry, flight attendants were expected to look attractive, they have to be slim, have their nails done, and their her hair up. It took time and work to change the requirements for applicants to meet the real focus of the position ‘the main reason that a flight attendant is on the airplane is if there's an emergency, to get you out of that airplane safely. It's not to look good. It's not to serve you meals really. You're there by law, federal regulations, to get people out of a plane in a certain amount of time if there's an emergency." At the end of '80s early '90s McKee and her coworkers organized a union to demand better regulations regarding the scheduling and number of hours they were forced to work. She became the secretary/treasurer of her union and was part of the negotiating committee. Because of her experience, she went to Washington, D. C. to testify before a legislative subcommittee about duty time legislation. Mckee moved to Charleston in 1996 and around 1998 Tower Air closed and she was out of work. She thought that her vast experience with unions would help her to find a job quickly but her background was not seen as an asset in a right to work state. She finally started working with American Income Life Insurance and then with Electrical Workers' Building Trades Local IBEW776. In 2013 she became the President of the State Labor Council (AFL- CIO).
Gino Castillo was born in Quito, Ecuador in 1974. His maternal grandparents raised him and introduced him to classical and Cuban music. He started playing drums when he was thirteen years old. As a drummer, he toured with rock bands in his country, Latin America, and Europe. In 1998, studying in Cuba, he decided to focus completely on hand percussion. Castillo moved to New York with his family in 2010 and was there for about a year. Then, he relocated in the Lowcountry lured by the promise of a great opportunity to play music. After realizing the deal was not real, he tried different jobs to support his family. He was frustrated and depressed but determined to play music. He connected with local musicians such as Charlton Singleton and Quentin Baxter and through them with the Charleston Latin Jazz Collective. Castillo reflects about the changes in the Charleston music scene since he arrived in town in 2010. He talks about the challenges of carving a niche for Latin Jazz and funk music. He discusses his participation in the Charleston Jazz Collective, his collaboration with other musicians and the success of the Salsa Nights in Voodoo. Castillo recorded his first solo album Ya llegué in 2008 and in 2014 released SoulFunKubanized.
Born in Newberry, South Carolina on August 21, 1933, Marlene O'Bryant-Seabrook calls herself "an educator who quilts". In 1975, Seabrook became the first African American and second women to join The Citadel as full time faculty and in 2009 she was one of the forty-four fiber artists chosen to participate in an exhibition to honor president Obama's first inauguration. Her quilt entitled "They Paved the Way" and many others she has created are featured in national and international publications and exhibits. A third generation educator, in this interview, she asserts that growing up among teachers left a indelible mark on her which guided her career choices and shaped her attitude towards life's challenges. "If I'm prepared to do something, then the rest of it does not make any difference. It never occurred to me that my being black or female should have stopped me from doing something." Seabrook attended Avery Normal Institute and then pursued higher education at South Carolina State, The Citadel, and finally the University of South Carolina where she completed her Ph.D. During her tenure at The Citadel, she was treated with respect. However,she taught mostly graduate students and only after a year of employment she was allowed to work with cadets, which she did in a very limited fashion. After leaving The Citadel in 1980, she returned to Charleston County Public School System where she worked until she retired "from employment but not from work."
Singer and storyteller Ann Caldwell was born in Denmark, South Carolina in 1952. Her family moved to Charleston when she was three years old. Her early musical memories relate to the church music and the long hours she spent listening to gospel and R&B on the radio. However, her interest in pursuing a professional musical career would develop much later. She was an adult when she had her first solo concert at St. Paul AME Church in the City of North Charleston in 1982. In the interview, Caldwell recalls the challenges of being a working mother and a party band singer as well as her experiences singing with the David Archer Band. She also talks about the Magnolia Singers, a Charleston-based vocal group she founded and gained national recognition. Caldwell reflects about what means for her to perform Gullah Spirituals, the music of her ancestors to different audiences. She discusses her participation in programs and events with musicians of different styles and traditions such as the Women & Series at the Music Hall and talks about what it takes to be a working musician in Charleston. Finally, she reflects about the Charleston music community response to Mother Emanuel tragedy and affirms, "I don't believe the music has changed. It's the medicine we lean on."
Musician, educator, and community leader Lonnie Hamilton III was born in Charleston in 1927. He is a graduate of South Carolina State College and VanderCook College of Music in Chicago. In the interview, Hamilton reflects about growing up and developing his career in the segregated South since his beginnings at Burke High and the Jenkins Orphanage Band. He speaks about his long and gratifying career as an educator teaching music at Sims High School in Union, South Carolina and at Bonds-Wilson High School at North Charleston, South Carolina, and the many relationships he forged with his students over the years. He talks about the highlights of his performing career, playing daily on Channel 2, attaining the dream to have his own club, Lonnie's, his successful years playing at Henry's on North Market Street, and having the opportunity to compose an original song, "Ugly Way Blues" that he performed on the movie Rich in Love. Hamilton recalls the excitement he felt when he listened to jazz music for the first time in a show called Silas Green Minstrel in downtown Charleston and describes playing at Mosquito Beach as a unique and wonderful experience. Hamilton takes pride in his accomplishments, as an educator, as a musician, as a businessperson, and as a City Council member. He affirms he was able to break Charleston's racial and economic barriers thanks to his saxophone.
Robert Stehling is chef and owner of Hominy Grill, located in downtown Charleston, SC. Prior to opening Hominy, Stehling worked under the tutelage of Bill Neal at Crook’s Corner in Chapel Hill, NC. After working his way from dish washer to head chef there, he moved to New York City where he worked for several years at a number of restaurants before moving to Charleston in 1996 with his wife Nunnally Kersh to open Hominy Grill. Since then Stehling and his restaurant have received national attention for his ability to innovate while remaining true to the southern culinary traditions. In 2008 he received the James Beard Award as Best Chef in the Southeast. In this interview with Citadel graduate student Shannon Hungerford, Stehling reflects on his career path and the various influences on his cooking. Stehling also describes the challenges of owning and running a popular restaurant while raising a family.
Born in Charleston, SC on September 11, 1976 and raised in nearby Pinopolis, Lindsay Holler is a singer, composer, and guitar player who has additionally been a strong advocate for local musicians and a fixture of the music scene. In this interview she recalls her musical influences, including her parents’ mainstream pop records and her brother’s enthusiasm for the Black Crows. In addition to playing flute in the middle school band and taking piano lessons, Holler also studied voice with opera singer June Bonner. That association led to a visit to Broadway at age 13, where she saw Gregory Hines and Phylicia Rashad in Jelly’s Last Jam. “I kind of fell in love with New York a little bit, and I was like, oh, man, that’s where I want to go,” Holler recalls. Following her high school graduation, Holler studied jazz at the Berklee College of Music before returning to Charleston to complete her musical education at the College of Charleston. She has recorded and performed with several locally-based groups, including the Dirty Kids, the Western Polaroids, and Matadero. Though often in the spotlight as the lead singer, Holler is ambivalent about the attention that it brings her and worries that that ambivalence may undermine her success: “Everybody is me, me, me, show me, let me show you, you know, it’s such a prevalent posture nowadays, where it’s in your face, and who’s going to be the loudest, and who is going to be the most out there, and that’s never been my thing. But I worry do you have to be like that in order to be successful?”
Rhonda Jones (1970) is a sanitation worker for the City of Charleston, South Carolina. Having grown up in Brooklyn, New York; Rhonda moved south as a teenager to care for her ailing grandparents. A self-described outspoken and aggressive "Northerner," Jones had trouble assimilating into the slowness of life in the Lowcountry. In this interview, she recalls her life as a teenager displaced in Charleston and her efforts to provide for her children. In 2000 Jones applied for employment with the City of Charleston and became one of the first women that worked in sanitation as collector. In a traditionally male dominated environment she faced multiple challenges that included sexual harassment due both being a women and being a lesbian. Furthermore, Jones articulate the struggles that all sanitation workers, regardless their gender, face in their battle for better working conditions and the right to organize a union. At the time of the interview Jones was very involved with Local 1199, an organizing body fighting for the formation of a sanitation workers' union.
Lutheran Pastor Thulisiwe "Thulie" Beresford was born in Vryheid, South Africa on February 2, 1962. The third of seven children, she grew up in a devoted Lutheran family under the racist system of the apartheid. At age of nine, Beresford and one of her brothers were sent to Swaziland to live with their maternal grandmother and continue their education. Beresford excelled in math and science and in 1984 she graduated with a Bachelor Degree in Biology and a concurrent Diploma in Education. She taught for two years in South Africa and after receiving a scholarship moved to the United States to study at Ohio University in Athens where she earned a Master Degree in Biology. She went back to South Africa for two years and returned to USA to attend the seminary. In this interview, Beresford explains the policies of racial segregation imposed for the apartheid and how they impacted the life of her family and community. She also recalls episodes of violence, persecution, and repression she witnessed when growing up. Beresford also describes her experiences as a South African immigrant in USA. Finally, she tells about her call to become a Lutheran minister and reflects about balancing her roles as a pastor, mother, and wife.
Bobby Richardson was born in Sumter, South Carolina on August 19, 1935. While playing high school and American Legion baseball, he was discovered by the New York Yankees and after his high school graduation he joined them. He played two years on the Yankees' minor league farm team and at nineteen he participated in his first professional game. Richardson played with the Yankees for ten years from 1955 to 1966 and won nine out of ten World Series. Richardson earned several awards and holds still-standing records. Following his retirement from professional baseball Richardson coached the University of South Carolina Gamecocks from 1970-1976. In the interview Richardson recalls his friendships with baseball legends Mickey Mantle and Roger Maris; he shares his opinions about the present-day game of baseball, including length of the season, finances, and steroid use. Finally he reflects about the importance of his faith and the impact it has on his personal and professional life. When asked about his best year in baseball he choose 1962, stating "It was just one of those years when everything seemed to go my way."
Radio host and producer Osei Terry Chandler was born in Brooklyn, New York in 1946. His father was a musician and his mother loved listening to music. Growing up in his multicultural city, he was exposed to all kinds of music. As a teenager, he joined his high school radio and mixed music at parties. He moved to Jacksonville, Illinois to attend MacMurray College and there continued DJing and working for the college radio. After graduation, he returned to New York to support his younger brothers and there he met and fell in love with Sadeeka Joyner, a young woman from Ridgeville SC, who would become his wife and the mother of his three children. In 1977, Chandler relocated to Charleston. Soon after, he found an opportunity to work on a jazz radio program replacing the host Tony Robertson. Later he focused mostly on reggae and Caribbean music. His program Roots Musik Karamu has been on the air in SC Public Radio since 1979. In the interview, Chandler recalls some of the most memorable moments of his career and reflects about the evolution of the music scene in Charleston. Finally, he states he has had a joyful life sharing his work with musicians and friends and explains that all the aspects of his life, family, his work as an educator and the music, are tied together. Mostly he always has wanted to share music that brings positive feelings and thoughts that are uplifting for the community.
Galen Hudson, owner of Monster Music and Movies Store, was born in Richmond, Virginia in 1967 and he grew up in Chapel Hill, North Carolina. His earliest musical memories relate to his love for bagpipes and drums and the music of his Catholic grade school. He remembers the first record he bought- Steve Miller Band, Fly Like an Eagle when he was just a nine-year-old kid. He got his first job in a books and records store when he was a teenager. After graduating from college with a Bachelor in Psychology, he went to work for a retail music and entertainment store chain, Record Bar, in Chapel Hill. Later, he moved with his girlfriend to Charleston where he continued working with record stores, first at Manifest Discs and Tapes and later at Cats Music. In the interview, Hudson talks about the negative impact that the big boxes commercial model and the early file-sharing services had on the records business. However, he argues small local stores are resilient and have learned to adjust. He talks about Record Store Day, an initiative started by of a coalition of independent record stores fifteen years ago. He states his store and the Record Store Day are successful thanks to the Charleston community's cultural vibrancy and support.
Musician and art entrepreneur Leah Suárez was born on August 12, 1981, in Greenwood South Carolina. She grew up in Charleston with her parents and three brothers and her childhood activities revolved around soccer and music. As early musical experiences, she remembers singing with her mother the mixed tapes her brother created for her. Suárez formal musical training started in middle school when she joined the school band and learned to play the euphonium. She received a scholarship to study the instrument at George Mason University College but she dropped out due to health problems. She returned to South Carolina and enrolled at the College of Charleston where she focused on vocals. At the age of twenty-four, she participated in the Copenhagen Jazz Festival and lived in Europe for six months. Back in Charleston, with the support of her mentor and friend, Jack McCray co-founded Jazz Artists of Charleston (JAC) becoming the organization Executive Director and the co-producer the Charleston Jazz Orchestra. In the interview, Suárez explains that her life experiences and the issues affecting her community shaped her voice and art. She reflects about the challenges and rewards of being a musician entrepreneur in Charleston, her work with other Charleston musicians, and the importance of re-connecting with her Latino roots.
Songwriter, singer, and guitarist Eddie Bush was born in Princeton, a small rural town in Indiana, in 1965 and he has lived in the Lowcountry since the early 70s. When he was four years old, his father taught him basic guitar chords and since then he never stopped learning and perfecting his craft. In the interview, Bush talks about the musicians that influenced him, remembers his teen years playing in Charleston and reflects about the evolution of Charleston music scene. Bush recalls some of the most memorable moments of his career such as touring with Eric Johnson, becoming a member of the harmony group One Flew South, standing on a stage by John Mellencamp and Willie Nelson, designing his own guitar and the overwhelming public response he received for his songs "Spirit of America" and "The Thin Blue Line." Finally, he discusses the challenges of making a living as a musician in the time of the internet and takes pride in his work as a guitar teacher. Teaching gives him the opportunity to nurture young talents and share his values as a musician.
Vocalist Aisha Kenyetta (a.k.a Aisha Frazier) was born in 1980, in Monetta, South Carolina. Before going to college, her life revolved around family and church activities. Kenyetta describes herself as a freelance vocalist with a powerful voice: "I'm a power singer... but when I sing, my diction is rhythmic. My voice is an extension of the percussion instruments. It's not—I'm not the violin. I'm the bass." She performs with her own band AmpSquared and several other such as Super Deluxe, Plane Jane, and the musician collective Emerald Empire. Additionally, she is the North Charleston Seacoast Church's Worship Leader. In the interview, Kenyetta discusses balancing family, day work, and music career and states she is grateful for the many opportunities to perform. At the time of the interview, Kenyetta was writing her own material.
Saxophonist Abe White was born in downtown Charleston in 1935. He attended Burke High and there he realized he could be a musician. Soon, with almost no training, he started playing at the local bars in Reynolds Avenue in North Charleston and in downtown Charleston. The job allowed him to make money and support his mother financially but also exposed him to the nightlife dangers. After graduating from high school, White joined the Air Force in administrative positions. He was stationed in Texas, Colorado, California, Florida, Germany, and Thailand. On each place, after his office hours, he pursued opportunities to play. When he returned to the civil life, he started his own business, "The Abe White Affair". In the interview, White reflects about his music and career and the long journey that took him from playing at armors and bars to his performances in local concerts and the Piccolo Spoleto Festival.
Alma Lopez and Mario Puga were born in Mexico. In this interview, they focus on their experiences as workers. Puga tells he started working at a young age with his father and asserts children mature quickly in Mexico. As a young man, he joined his brothers in Rhode Island, where he finished high school. When he returned to Mexico, he met Lopez. She worked in housekeeping. Later, both separately immigrated to the United States. Lopez was with her family in Johns Island and Puga joined her. There both worked in agriculture and progressively moved to less physically demanding jobs. Lopez learned English at Our Lady of Mercy and became active in the community. In 2015, she opened a cleaning business. In 2020, the COVID pandemic caused a severe decrease in revenue in her business. Seeking a way to support themselves during these trying times, they decided to dig into their cultural roots and sell food. They knew there was a need: Latino workers did not have a place to buy breakfast in the morning. Lopez and Puga discuss the nuances of the food truck business and assert that it is a very tiring activity. They state the biggest reward in this endeavor is to share their food with their clients and receive their appreciation.
Janie Campbell was born in Moffett near Edisto Island, South Carolina, and raised in New Jersey. There, she worked in a group home for youth with disabilities and served as Chief Shop Steward for the American Federation of State, County, and Municipal Employees, (AFSCME). In 1991,she reluctantly left her job and returned to South Carolina for family reasons. After holding various jobs in the region, she began working as a sanitation worker with the City of Charleston in 1997. She was one of six women employed by the department at the time and recalls some initial embarrassment at riding on the back of a truck. With the encouragement of male coworkers, however, she became a driver. Campbell took part in two failed efforts to unionize the sanitation workers in order to bolster their pay and improve their working conditions. She discusses the poor working conditions in the department as well as the difficulties of sustaining a union in South Carolina.
Musician and educator Mervin Antonio Jenkins, also known as Spec the Spectacular for his talent at rhyming and freestyle, was born in Eutawville, South Carolina in 1972. He is the first child of Mary, a schoolteacher and Melvin Jenkins, an auto mechanic worker. It was on his father's garage that Jenkins listened to Run DMC, "Sucker MC's" for the first time. Then, he would learn more about rap music and culture with his cousin from New York. In the interview, Jenkins reflects on his career as a musician and as an educator that uses rap to engage young people. He shares the challenges and rewards of his career, stating that recording with Big Daddy Cane was one of his proudest moments. He discusses the evolution of rap music and its styles and names his favorite artists. When asked about a particular Charleston/Carolinas sound, he argues that the Carolinas never developed their own rap sound and style because it was not functional for the music industry. At the end of the interview, he performs "War of the Worlds" and freestyles responding to the audience prompts.
Lebanese-American musician Peter Kfoury was born in Manchester, New Hampshire. His father was Lebanese and his mother Syrian. At thirteen, he learned to play guitar and soon after, he became fascinated with the oud, an old Mid-Eastern traditional instrument. He moved to Connecticut to attend college and for a few months, he took lessons with the Armenian musician George Mgrdichian. By that time, Kfoury started blending Middle Eastern music with jazz, rock, and funk. After a year, he decided to leave college and went to play music in New York. Later he returned to school and graduated as Dr. Chiropractor, the profession he has practiced for almost forty years. In the interview, Kfoury talks about the lack of diversity in the music offerings in Charleston as well as the lack of listening rooms. Responding to these voids, in 2016 he launched the World Music Cafe. John Holenko and Hazel Ketchum from Hungry Monk Music supported his efforts. Since then, World Music Cafe produces a monthly show that features three musicians of different musical traditions and styles. Finally, Kfoury talks about creating, recording and presenting his album At the Heart of Two Worlds.
Adrian Williams (1970) was born and raised in Charleston, SC. She was among the first female sanitation workers with the City of Charleston. In this interview, Williams recalls her early days growing up in Charleston and Johns Island and asserts that being a sexual abuse survivor made her a strong person who fights for her rights and who understands the sufferings of others. When asked about her source of strength, she affirms that becoming a mother when she was a teenager made her resolute about building a better life for herself and her child. She is particularly grateful for three women that provided support and inspired her: her aunt, her psychotherapist, and an English teacher. After a life crisis, Williams started working as a bus driver with the City of Charleston and later she moved to the sanitation department. She liked it at first. However, soon she discovered the problems that plagued her job which included abusive managers, sexism and sexual harassment, as well as, safety hazards related to the lack of appropriate training and equipment. Williams talks about her experiences as a union organizer, the barriers to engage more workers in the process, and the development of more effective strategies to negotiate with the authorities. This interview brings light to the efforts of the Local 1199C to be recognized by the City of Charleston in 2009.
Richard Polite was born in Charleston in 1951 and raised on Strawberry Lane before his family moved to Cannon St. near President St. After attending Burke High School, where he played football, Polite served in the U.S. Army and served one tour in Vietnam. In this interview, Polite recalls growing up in segregated Charleston and later working at the Naval Shipyard. He explains why he enjoys the job he has now held for 12 years driving a truck for the City of Charleston’s environmental services department. The job affords him the opportunity to serve and interact with the public. Hazardous working conditions and mismanagement have nevertheless led Polite and many of his coworkers to establish a union this past year. While there is no shortage of dissatisfaction among his coworkers, fear of losing their jobs in a poor economy has kept many of them on the sidelines.
“Sugar” is a bakery located on Cannon Street in downtown Charleston, S.C. that was founded by Bouffard and Bowick in November of 2007. Bowick, a native Tennessean, and Bouffard, a native of Vermont, have replaced an old vegetable stand with a new sweet shop. Both men worked in New York as architects, but moved to Charleston twelve years ago to pursue their dream of baking. In this interview, Bowick and Bouffard discuss their career backgrounds and inspirations, and how their background in architecture relates to the process of baking. They also discuss family connections to Charleston and local cuisine, the relationship between history and Charleston history in recipes, and how customers are attracted to the historical side of certain treats. An openly gay couple, Bowick and Bouffard also comment on the warm welcome they received upon moving into the neighborhood and what it says about how Charleston has changed in the last decade.
Gerald G. Mishoe was born in Conway, South Carolina in 1949. He was the son of Conway firefighter Julian Grant Mishoe, who sparked Gerald Mishoe’s love of firefighting. He spent much of his childhood with his father at the firehouse and watching him fight fires. Mishoe moved to Charleston, South Carolina in 1964. After graduating from high school he joined the St. Andrews Parish fire department to work with his father. After retiring and since the death of nine Charleston firefighters at the Sofa Superstore in 2007, Mishoe has been working with the Lowcountry Firefighter Support Team, which helps firefighters cope with the emotional burden associated with their profession. The team has supported nearly six thousand firefighters and their family members. In the interview, Mishoe tells about fires that stand out in his memory, the occasions he felt his life was in danger, and the changes he has witnessed over decades in the firefighting practice. He explains advances in technology have driven some changes, but others have been driven by tragedies, such us the Sofa Super Store fire in Charleston. He details things that went wrong during the fatal 2007 store fire. He states that a thorough evaluation of those failures has lead to improvements in safety protocols, accountability, equipment, and training. Mishoe also reflects on his journey learning to acknowledge his feelings and the effects of untreated trauma on himself and his family. He states that the ‘machismo’ common among first responders constitutes a huge risk for them. He asserts the importance of the work that Lowcountry Firefighter Support Team is doing, helping firefighters to stay in the job and increasing the quality of life. Mishoe’s son carries on the family tradition as a Charleston firefighter.
Anthony Wright, renowned locally as "Tony the Peanut Man" was born in Savannah, Georgia on December 12, 1952. He grew up in the segregated Maryville community with his mother and five siblings. He attended Wallace High School and following school integration he went to Moultrie High. He was suspended for a year because he fought with a Caucasian student. He decided to quit school and instead earn his GED. In 1973 enlisted in the United States Army. After his service, Wright was employed by Gulfstream Aerospace in Savannah, and Lockheed in Charleston. When Lockheed closed, Wright struggled to get a good paying job. Mr. Marion Howard encouraged him to try selling peanuts in the Charleston market. Reluctantly, he decided to give it a try. At the beginning he was shy and other sellers in the market urged him to "be more like Mr. Ben," who was old and beloved peanut seller. Wright created a song and dance that helped him to increase sales. Wright sang, "I got some boiled and I got some toasted, got some stewed and I got some roasted. Oh, yeah, peanut man, uh-huh, catch him if you can because I got the right one baby, uh-huh." Wright's friendly and personable style made him successful and lead to appearances on television and a film. Moreover, his attitude and community involvement earned him the love and recognition of his fellow Charlestonians. Wright's entrepreneur spirit took him to write a comic book, Peanut Man. He used it as a tool to persuade children to follow their dreams. He also looked for ways to expand his business. In the interview he describes his struggles as an African-American vendor to be allowed to sell peanuts at The Citadel, Joe Riley Stadium, and the Daniel Island stadium and also the challenges he experienced when a fire destroyed his business and when a deal to sell can peanuts ended badly. In the interview he asserts being grateful for his life experiences and looking at the future with enthusiasm, "my goal is to be the number one peanut man in the world ... I just want to leave something behind that people can appreciate."
Ruby Murray was born in Kingstree, South Carolina, and raised in St. Stephens, South Carolina. In the interview, she recalls her first day of employment at The Citadel’s Daniel Library on January 17, 1994, the same day Shannon Faulkner started taking full-time classes. Murray talks about her nuclear and extended family and remembers the construction of the Cooper River Rediversion Project and the impact it had on the community. She describes her experiences visiting Charleston as a child and later as a College of Charleston student in the mid-eighties. Murray reflects on her work at the Daniel Library and the changes she has witnessed over the years, including the Daniel Library and the Citadel's evolving relationships with the larger community. She defines her leadership style as “servant leadership” and stresses the importance of building relationships and genuinely caring for others.
Christina Butler is a historical preservationist, a professor at the College of Charleston, a horse-drawn carriage tour guide in Charleston, and an equine enthusiast. Growing up in Ohio, she spent considerable time around horses and stables. When she moved to Charleston at the age of 19, Butler recognized that becoming a tour guide would be the ideal opportunity to combine her love of history and her passion for horses. In this interview, Butler describes her background working with mules and draft horses and how she first became interested in these creatures. She also delves into Charleston's history regarding horses and the part they have played throughout the years. Butler also addresses the contentious issue of horse-drawn carriage trips, which many people feel are cruel and exploitative of the animals. She disagrees stating these horses have been bred to work, and asserting that they are treated with respect, and care. She hopes that by sharing accurate information and raising awareness about this issue, the city of Charleston will continue offering these tours that are worthwhile experiences for visitors.
Johnathan Lyon is a Dock Master at the Detyens Shipyard located in North Charleston, South Carolina. Lyon was born in 1958 in Awendaw, South Carolina, and has been employed at the shipyard since 1974 when he was 16 years old. With an extensive background working at Detyens, Lyon has witnessed the shipyard growth, has seen new safety measures put into place over the years, and has worked his way up in the ranks from his start in the carpenter shop to now as a Dock Master. Lyon provides a rundown of the day-to-day basis as a Dock Master and what some of these tasks might entail. He also discusses some of the challenges that are faced such as hurricanes and ship repairs. In addition to this, he praises his late mentor, Mr. Stewart, who taught him life lessons that he has remembered for years.
John Holenko is a musician from New Jersey with a master’s degree from the University of Southern California in classical guitar. In this interview, Holenko explores how his interest in music began, his journey of getting into gigging in Boston and California, and then eventually settling in Charleston, South Carolina. He now owns his own studio, Hungry Monk, where he gives music lessons to others. The name of his studio has its own story of how it came to be, as Holenko encountered actual Tibetan monks in a café that inspired the name. He also lists some of the places he has performed himself, including an Early Music Festival in Germany. Furthermore, Holenko touches on how COVID-19 affected his business, his personal music influences, and even provides some advice for those that are interested in getting into music.
Chef and entrepreneur Sameka Merisier Jenkins (b. 1972) grew up in Mt. Pleasant, South Carolina in the Seven Mile community. Her early memories relate to the delicious food that was shared by the family on Sundays after worshiping at the Great Will AME Church. She describes her family's cooking practices and the dishes that were prepared. Additionally, she talks about her childhood community, traditional medicine, and the accents and sayings of the elders. Jenkins developed her interest in cooking when she was a teenager and learned her craft by staying in the kitchen with the adults, following directions, and imitating them. She attended Francis Marion University and was soon cooking for her friends. Mixing with people from various places, she became aware of her rich heritage and developed a keen sense of pride in it. Since 2011, Jenkins has owned and operates Carolima’s a catering company that specializes in Gullah Cuisine. Jenkins reflects on the Gullah/ Geechee restaurants in the Lowcountry and her relationship with other business owners.
Whitemarsh Smith III, Charleston native, Citadel alum, and long-time president of the Charleston Branch Pilot’s Association, has an extensive history in the waters of Charleston. In this interview, Smith dives into his experience as a Charleston pilot and provides details of various historical events he has witnessed. As a young man, Smith chose to take the college route and apply to The Citadel rather than head to Vietnam during the war. He graduated from The Citadel in 1966. He recounts his encounters at The Citadel and discusses his time following graduation being in the National Guard, where he witnessed a hospital strike here in Charleston in 1969. Smith details the challenges which came along with his apprenticeship during the process of becoming a Charleston pilot, as they spent the majority of their time on a boat. He gives listeners insight into the day-to-day operations as a Charleston pilot on a cargo ship as well as some of his own unique experiences. This includes experiencing DEA raids of foreign cargo ships, weathering hurricane Hugo, the recovery of the Hunley, and others. At the time of the interview, Smith was 77 years old and was planning his retirement.
Corey Clayton is a College of Charleston graduate, University of Alabama Birmingham graduate, and a member of Omega PSI Phi Fraternity, Inc., who at the time of the interview worked for Brownstone Construction Group building the International African American Museum in Charleston, South Carolina. His interest in engineering goes back to the summers working for his grandfather and his father, both of whom were general contractors. Additionally, he always had an interest in history. When he learned that the International African American Museum was going to be built, he knew he had to be a part of that process and decided to work for Brownstone Construction Group, a Black owned company, as a Quality Control Manager. In the interview, Clayton remembers the college professors that guided him and provided readings that allowed him to understand better his history. Finally, he reflects on the museum's relevance to the region and the deep personal significance of playing a part in its coming to fruition.
