Janie Campbell was born in Moffett near Edisto Island, South Carolina, and raised in New Jersey. There, she worked in a group home for youth with disabilities and served as Chief Shop Steward for the American Federation of State, County, and Municipal Employees, (AFSCME). In 1991,she reluctantly left her job and returned to South Carolina for family reasons. After holding various jobs in the region, she began working as a sanitation worker with the City of Charleston in 1997. She was one of six women employed by the department at the time and recalls some initial embarrassment at riding on the back of a truck. With the encouragement of male coworkers, however, she became a driver. Campbell took part in two failed efforts to unionize the sanitation workers in order to bolster their pay and improve their working conditions. She discusses the poor working conditions in the department as well as the difficulties of sustaining a union in South Carolina.
Adrian Williams (1970) was born and raised in Charleston, SC. She was among the first female sanitation workers with the City of Charleston. In this interview, Williams recalls her early days growing up in Charleston and Johns Island and asserts that being a sexual abuse survivor made her a strong person who fights for her rights and who understands the sufferings of others. When asked about her source of strength, she affirms that becoming a mother when she was a teenager made her resolute about building a better life for herself and her child. She is particularly grateful for three women that provided support and inspired her: her aunt, her psychotherapist, and an English teacher. After a life crisis, Williams started working as a bus driver with the City of Charleston and later she moved to the sanitation department. She liked it at first. However, soon she discovered the problems that plagued her job which included abusive managers, sexism and sexual harassment, as well as, safety hazards related to the lack of appropriate training and equipment. Williams talks about her experiences as a union organizer, the barriers to engage more workers in the process, and the development of more effective strategies to negotiate with the authorities. This interview brings light to the efforts of the Local 1199C to be recognized by the City of Charleston in 2009.
Born in Newberry, South Carolina on August 21, 1933, Marlene O'Bryant-Seabrook calls herself "an educator who quilts". In 1975, Seabrook became the first African American and second women to join The Citadel as full time faculty and in 2009 she was one of the forty-four fiber artists chosen to participate in an exhibition to honor president Obama's first inauguration. Her quilt entitled "They Paved the Way" and many others she has created are featured in national and international publications and exhibits. A third generation educator, in this interview, she asserts that growing up among teachers left a indelible mark on her which guided her career choices and shaped her attitude towards life's challenges. "If I'm prepared to do something, then the rest of it does not make any difference. It never occurred to me that my being black or female should have stopped me from doing something." Seabrook attended Avery Normal Institute and then pursued higher education at South Carolina State, The Citadel, and finally the University of South Carolina where she completed her Ph.D. During her tenure at The Citadel, she was treated with respect. However,she taught mostly graduate students and only after a year of employment she was allowed to work with cadets, which she did in a very limited fashion. After leaving The Citadel in 1980, she returned to Charleston County Public School System where she worked until she retired "from employment but not from work."
Born in Charleston, SC on September 11, 1976 and raised in nearby Pinopolis, Lindsay Holler is a singer, composer, and guitar player who has additionally been a strong advocate for local musicians and a fixture of the music scene. In this interview she recalls her musical influences, including her parents’ mainstream pop records and her brother’s enthusiasm for the Black Crows. In addition to playing flute in the middle school band and taking piano lessons, Holler also studied voice with opera singer June Bonner. That association led to a visit to Broadway at age 13, where she saw Gregory Hines and Phylicia Rashad in Jelly’s Last Jam. “I kind of fell in love with New York a little bit, and I was like, oh, man, that’s where I want to go,” Holler recalls. Following her high school graduation, Holler studied jazz at the Berklee College of Music before returning to Charleston to complete her musical education at the College of Charleston. She has recorded and performed with several locally-based groups, including the Dirty Kids, the Western Polaroids, and Matadero. Though often in the spotlight as the lead singer, Holler is ambivalent about the attention that it brings her and worries that that ambivalence may undermine her success: “Everybody is me, me, me, show me, let me show you, you know, it’s such a prevalent posture nowadays, where it’s in your face, and who’s going to be the loudest, and who is going to be the most out there, and that’s never been my thing. But I worry do you have to be like that in order to be successful?”
Lutheran Pastor Thulisiwe "Thulie" Beresford was born in Vryheid, South Africa on February 2, 1962. The third of seven children, she grew up in a devoted Lutheran family under the racist system of the apartheid. At age of nine, Beresford and one of her brothers were sent to Swaziland to live with their maternal grandmother and continue their education. Beresford excelled in math and science and in 1984 she graduated with a Bachelor Degree in Biology and a concurrent Diploma in Education. She taught for two years in South Africa and after receiving a scholarship moved to the United States to study at Ohio University in Athens where she earned a Master Degree in Biology. She went back to South Africa for two years and returned to USA to attend the seminary. In this interview, Beresford explains the policies of racial segregation imposed for the apartheid and how they impacted the life of her family and community. She also recalls episodes of violence, persecution, and repression she witnessed when growing up. Beresford also describes her experiences as a South African immigrant in USA. Finally, she tells about her call to become a Lutheran minister and reflects about balancing her roles as a pastor, mother, and wife.
Bobby Richardson was born in Sumter, South Carolina on August 19, 1935. While playing high school and American Legion baseball, he was discovered by the New York Yankees and after his high school graduation he joined them. He played two years on the Yankees' minor league farm team and at nineteen he participated in his first professional game. Richardson played with the Yankees for ten years from 1955 to 1966 and won nine out of ten World Series. Richardson earned several awards and holds still-standing records. Following his retirement from professional baseball Richardson coached the University of South Carolina Gamecocks from 1970-1976. In the interview Richardson recalls his friendships with baseball legends Mickey Mantle and Roger Maris; he shares his opinions about the present-day game of baseball, including length of the season, finances, and steroid use. Finally he reflects about the importance of his faith and the impact it has on his personal and professional life. When asked about his best year in baseball he choose 1962, stating "It was just one of those years when everything seemed to go my way."
Gerald G. Mishoe was born in Conway, South Carolina in 1949. He was the son of Conway firefighter Julian Grant Mishoe, who sparked Gerald Mishoe’s love of firefighting. He spent much of his childhood with his father at the firehouse and watching him fight fires. Mishoe moved to Charleston, South Carolina in 1964. After graduating from high school he joined the St. Andrews Parish fire department to work with his father. After retiring and since the death of nine Charleston firefighters at the Sofa Superstore in 2007, Mishoe has been working with the Lowcountry Firefighter Support Team, which helps firefighters cope with the emotional burden associated with their profession. The team has supported nearly six thousand firefighters and their family members. In the interview, Mishoe tells about fires that stand out in his memory, the occasions he felt his life was in danger, and the changes he has witnessed over decades in the firefighting practice. He explains advances in technology have driven some changes, but others have been driven by tragedies, such us the Sofa Super Store fire in Charleston. He details things that went wrong during the fatal 2007 store fire. He states that a thorough evaluation of those failures has lead to improvements in safety protocols, accountability, equipment, and training. Mishoe also reflects on his journey learning to acknowledge his feelings and the effects of untreated trauma on himself and his family. He states that the ‘machismo’ common among first responders constitutes a huge risk for them. He asserts the importance of the work that Lowcountry Firefighter Support Team is doing, helping firefighters to stay in the job and increasing the quality of life. Mishoe’s son carries on the family tradition as a Charleston firefighter.
Anthony Wright, renowned locally as "Tony the Peanut Man" was born in Savannah, Georgia on December 12, 1952. He grew up in the segregated Maryville community with his mother and five siblings. He attended Wallace High School and following school integration he went to Moultrie High. He was suspended for a year because he fought with a Caucasian student. He decided to quit school and instead earn his GED. In 1973 enlisted in the United States Army. After his service, Wright was employed by Gulfstream Aerospace in Savannah, and Lockheed in Charleston. When Lockheed closed, Wright struggled to get a good paying job. Mr. Marion Howard encouraged him to try selling peanuts in the Charleston market. Reluctantly, he decided to give it a try. At the beginning he was shy and other sellers in the market urged him to "be more like Mr. Ben," who was old and beloved peanut seller. Wright created a song and dance that helped him to increase sales. Wright sang, "I got some boiled and I got some toasted, got some stewed and I got some roasted. Oh, yeah, peanut man, uh-huh, catch him if you can because I got the right one baby, uh-huh." Wright's friendly and personable style made him successful and lead to appearances on television and a film. Moreover, his attitude and community involvement earned him the love and recognition of his fellow Charlestonians. Wright's entrepreneur spirit took him to write a comic book, Peanut Man. He used it as a tool to persuade children to follow their dreams. He also looked for ways to expand his business. In the interview he describes his struggles as an African-American vendor to be allowed to sell peanuts at The Citadel, Joe Riley Stadium, and the Daniel Island stadium and also the challenges he experienced when a fire destroyed his business and when a deal to sell can peanuts ended badly. In the interview he asserts being grateful for his life experiences and looking at the future with enthusiasm, "my goal is to be the number one peanut man in the world ... I just want to leave something behind that people can appreciate."
Singer and storyteller Ann Caldwell was born in Denmark, South Carolina in 1952. Her family moved to Charleston when she was three years old. Her early musical memories relate to the church music and the long hours she spent listening to gospel and R&B on the radio. However, her interest in pursuing a professional musical career would develop much later. She was an adult when she had her first solo concert at St. Paul AME Church in the City of North Charleston in 1982. In the interview, Caldwell recalls the challenges of being a working mother and a party band singer as well as her experiences singing with the David Archer Band. She also talks about the Magnolia Singers, a Charleston-based vocal group she founded and gained national recognition. Caldwell reflects about what means for her to perform Gullah Spirituals, the music of her ancestors to different audiences. She discusses her participation in programs and events with musicians of different styles and traditions such as the Women & Series at the Music Hall and talks about what it takes to be a working musician in Charleston. Finally, she reflects about the Charleston music community response to Mother Emanuel tragedy and affirms, "I don't believe the music has changed. It's the medicine we lean on."
Radio host and producer Osei Terry Chandler was born in Brooklyn, New York in 1946. His father was a musician and his mother loved listening to music. Growing up in his multicultural city, he was exposed to all kinds of music. As a teenager, he joined his high school radio and mixed music at parties. He moved to Jacksonville, Illinois to attend MacMurray College and there continued DJing and working for the college radio. After graduation, he returned to New York to support his younger brothers and there he met and fell in love with Sadeeka Joyner, a young woman from Ridgeville SC, who would become his wife and the mother of his three children. In 1977, Chandler relocated to Charleston. Soon after, he found an opportunity to work on a jazz radio program replacing the host Tony Robertson. Later he focused mostly on reggae and Caribbean music. His program Roots Musik Karamu has been on the air in SC Public Radio since 1979. In the interview, Chandler recalls some of the most memorable moments of his career and reflects about the evolution of the music scene in Charleston. Finally, he states he has had a joyful life sharing his work with musicians and friends and explains that all the aspects of his life, family, his work as an educator and the music, are tied together. Mostly he always has wanted to share music that brings positive feelings and thoughts that are uplifting for the community.
Musician and art entrepreneur Leah Suárez was born on August 12, 1981, in Greenwood South Carolina. She grew up in Charleston with her parents and three brothers and her childhood activities revolved around soccer and music. As early musical experiences, she remembers singing with her mother the mixed tapes her brother created for her. Suárez formal musical training started in middle school when she joined the school band and learned to play the euphonium. She received a scholarship to study the instrument at George Mason University College but she dropped out due to health problems. She returned to South Carolina and enrolled at the College of Charleston where she focused on vocals. At the age of twenty-four, she participated in the Copenhagen Jazz Festival and lived in Europe for six months. Back in Charleston, with the support of her mentor and friend, Jack McCray co-founded Jazz Artists of Charleston (JAC) becoming the organization Executive Director and the co-producer the Charleston Jazz Orchestra. In the interview, Suárez explains that her life experiences and the issues affecting her community shaped her voice and art. She reflects about the challenges and rewards of being a musician entrepreneur in Charleston, her work with other Charleston musicians, and the importance of re-connecting with her Latino roots.
Songwriter, singer, and guitarist Eddie Bush was born in Princeton, a small rural town in Indiana, in 1965 and he has lived in the Lowcountry since the early 70s. When he was four years old, his father taught him basic guitar chords and since then he never stopped learning and perfecting his craft. In the interview, Bush talks about the musicians that influenced him, remembers his teen years playing in Charleston and reflects about the evolution of Charleston music scene. Bush recalls some of the most memorable moments of his career such as touring with Eric Johnson, becoming a member of the harmony group One Flew South, standing on a stage by John Mellencamp and Willie Nelson, designing his own guitar and the overwhelming public response he received for his songs "Spirit of America" and "The Thin Blue Line." Finally, he discusses the challenges of making a living as a musician in the time of the internet and takes pride in his work as a guitar teacher. Teaching gives him the opportunity to nurture young talents and share his values as a musician.
Alma Lopez and Mario Puga were born in Mexico. In this interview, they focus on their experiences as workers. Puga tells he started working at a young age with his father and asserts children mature quickly in Mexico. As a young man, he joined his brothers in Rhode Island, where he finished high school. When he returned to Mexico, he met Lopez. She worked in housekeeping. Later, both separately immigrated to the United States. Lopez was with her family in Johns Island and Puga joined her. There both worked in agriculture and progressively moved to less physically demanding jobs. Lopez learned English at Our Lady of Mercy and became active in the community. In 2015, she opened a cleaning business. In 2020, the COVID pandemic caused a severe decrease in revenue in her business. Seeking a way to support themselves during these trying times, they decided to dig into their cultural roots and sell food. They knew there was a need: Latino workers did not have a place to buy breakfast in the morning. Lopez and Puga discuss the nuances of the food truck business and assert that it is a very tiring activity. They state the biggest reward in this endeavor is to share their food with their clients and receive their appreciation.
Christina Butler is a historical preservationist, a professor at the College of Charleston, a horse-drawn carriage tour guide in Charleston, and an equine enthusiast. Growing up in Ohio, she spent considerable time around horses and stables. When she moved to Charleston at the age of 19, Butler recognized that becoming a tour guide would be the ideal opportunity to combine her love of history and her passion for horses. In this interview, Butler describes her background working with mules and draft horses and how she first became interested in these creatures. She also delves into Charleston's history regarding horses and the part they have played throughout the years. Butler also addresses the contentious issue of horse-drawn carriage trips, which many people feel are cruel and exploitative of the animals. She disagrees stating these horses have been bred to work, and asserting that they are treated with respect, and care. She hopes that by sharing accurate information and raising awareness about this issue, the city of Charleston will continue offering these tours that are worthwhile experiences for visitors.
Johnathan Lyon is a Dock Master at the Detyens Shipyard located in North Charleston, South Carolina. Lyon was born in 1958 in Awendaw, South Carolina, and has been employed at the shipyard since 1974 when he was 16 years old. With an extensive background working at Detyens, Lyon has witnessed the shipyard growth, has seen new safety measures put into place over the years, and has worked his way up in the ranks from his start in the carpenter shop to now as a Dock Master. Lyon provides a rundown of the day-to-day basis as a Dock Master and what some of these tasks might entail. He also discusses some of the challenges that are faced such as hurricanes and ship repairs. In addition to this, he praises his late mentor, Mr. Stewart, who taught him life lessons that he has remembered for years.
John Holenko is a musician from New Jersey with a master’s degree from the University of Southern California in classical guitar. In this interview, Holenko explores how his interest in music began, his journey of getting into gigging in Boston and California, and then eventually settling in Charleston, South Carolina. He now owns his own studio, Hungry Monk, where he gives music lessons to others. The name of his studio has its own story of how it came to be, as Holenko encountered actual Tibetan monks in a café that inspired the name. He also lists some of the places he has performed himself, including an Early Music Festival in Germany. Furthermore, Holenko touches on how COVID-19 affected his business, his personal music influences, and even provides some advice for those that are interested in getting into music.
