A black and white photograph of an engraving on a punch bowl featuring a bird holding a banner that reads, 'Nunc tempus est bibendum.' ['Now is the time for drinking.']
A black and white copy of a letter from Michael J. Weller to J. Thomas Savage, then curator at the Historic Charleston Foundation. The letter is regarding a punch bowl with various engravings. It goes into detail about the bowl and requests more information on the bowl, if available.
A black and white photograph close-up of the engraving on a punch bowl of a laurel with the initials 'J.M.' engraved within and the date of '1828' engraved below. The 'M' is thought to stand for Miller.
A black an white photograph of an engraving on a punch bowl featuring a vignette of a women gathering what appear to be artichokes while the man on the left looks to be primed to chop wood (center). The word 'Perseverance' is engraved underneath.
A black and white photograph of an engraving on a punch bowl of a laurel with the initials 'J.M.' engraved within and the date of '1828' engraved below. The 'M' is thought to stand for Miller.
Black-and-white etching of the exterior of Temple Emanu-El on Sutter Street, rebuilt after the earthquake and fire of 1906. Etching signed by the artist Lawrence Norris Scammon.
Black-and-white compilation of illustrations of landmarks in San Francisco, including Temple Emanu-El on Sutter Street. From the article "San Francisco in der Phantasie und in der Wirklichkeit" by Theodor Kirchhoff, published in Die Gartenlaube.
