A document signed by Cephas Whittmore, agreeing to pay back eight-thousand dollars in eight-hundred dollar installments in return for a loan from George Dispau. This money was taken out for a tract of land.
A title to real estate conveying a tract of land from John N. Tideman to George Dispau. This document also includes a notation by widow Lydia Whittmore conveying rights to George Dispau.
Caption: 'The Hon. Robert Brown Elliott, of South Carolina. From a photograph by Gardner, Washington, D.C.--see page 150.' [full date February 14,1874.]
Caption: 'Concert for the inmates of the Charity Hospital, Blackwell's Island.--drawn by C.E.H. Bonwill.--(see page 150.).' [full date February 14, 1874.]
Political cartoon, caption: 'The Commandments in South Carolina. "We've pretty well smashed that; but I suppose, Massa Moses, you can get another one."' [full date September 26, 1874]
Scrapbook given to Benjamin Adolf Rodrigues Ottolengui by his mother and father, Helen Rodriguez Ottolengui and Daniel Ottolengui. The book includes a number of newspaper clippings notably regarding topics such as women, the Civil War, theatre performances, and politics. The book also includes two handwritten poems by Daniel Ottolengui entitled, "The Blackbird" and "The Lying Machine."
Page 194 of the City Engineer's Plat Book with three plats. Plat 1 shows lots located near the intersection of Line Street and Comming Street. Plat 2 shows lots and structures located near Chesnut Street. Plat 3 shows lots and structures located on and near Calhoun Street, between Meeting Street and Anson Street.
Page 118 of the City Engineer's Plat Book with four plats. Plat 1 shows lots and structures on East Bay Street. Plat 2 shows lots along Meeting Street. Plat 3 shows lots located near the intersection of Inspection Street and Marsh Street. Plat 4 shows lots and structures along Anson Street, between George Street and Boundary Street.
Page 112 of the City Engineer's Plat Book with five plats. Plat 1 shows lots and structures located on the north side of Tradd Street. Plat 2 shows lots located on the east side of Savage Street. Plat 3 shows lots located on King Street. Plat 4 shows lots located between Broad Street and Tradd Street, and between Lynch Street and the Ashley River. Plat 5 shows lots and structures located near the intersection of King Street and Broad Street.
Page 79 of the City Engineer's Plat Book with six plats. Plat 1 shows a lots and some structures located between Doughty Street and Palmetto Street, and also shows Ashley Street and a structure labelled "United States Arsenal Wall." Plat 2 shows lots located near the intersection of Bee Street and President Street. Plat 3 shows lots located on Doughty Street, between Ashley Street and Rutledge Street. Plat 4 features lots and land located near the intersection of Bee Street and President Street. The plat also shows a mill pond and several structures. Plat 5 shows lots located between Doughty Street and Mill Street, and near Ashley Street. Plat 5 also shows Palmetto Street and a lot labelled U. S. Arsenal. Plat 6 shows lots located between Thomas Street and Pinckney Street, with several structures.
Page 71 of the City Engineer's Plat Book with eight plats. Plat 1 shows lots and structures on a city block between Rutledge Street and Smith Street, and between Beaufain Street and Wentworth Street. Plat 2 shows lots located near the intersection of Moore Street and Meeting Street. Plat 3 shows lots and structures located near the intersection of King Street and Beaufain Street. Plat 4 shows lots and structures located on the east side of Coming Street. Plat 5 shows lots located on King Street, including a lot labelled "Unitarian Church property" and a stretch labelled "Unitarian Church Cemetery." Plat 6 shows lots located on King Street, and shows the "Old line of street." Plat 7 shows plots located on King Street. Plat 8 features a lot and buildings located on Spring Street, and shows how Rosemont Street is projected to cross that property.
Page 76 of the City Engineer's Plat Book with three plats. Plat 1 shows land roughly between the Ashley River and Coming Street, and roughly between Elliot Street and Comings Creek. Plat 1 also shows multiple streams, marshes, and islands. It also includes Boundary Street, Doughty Street, Bee Street, Cannon Street, Smith Street, Pinckney Street, and Thomas Street. Plat 2 shows lots and some buildings located between Spring Street and a marsh, along an road labelled "Court." Plat 3 features lots located between Morris Street and Radcliffe Street, near their intersections with Pitt Street, "Commings Street," St. Philips Street, and King Street. Plat 3 also shows some marshland. Plat 4 features lots located between Smith Street and Coming Street, and between Radcliffe Street and Vanderhorst Street. Plat 4 also shows the intersection of Warren Street and Thomas Street.
Page 58 of the City Engineer's Plat Book with six plats. Plat 1 shows lots between Broad Street and Short Street, near their intersections with Mazyck Street. Plat 2 features lots on Greenhill Street, Limehouse Street, and Tradd Street. Plat 2 also shows a line labelled "Edge of High Land." Plat 3 shows lots near Broad Street, including lots labelled "Hawens Square" and "Burying Ground." Plat 3 also shows structures labelled "Magazine" and "Work House." Plat 4 shows lots located on King Street. Plat 5 shows land located between Meeting Street and Lee Street, and a dotted line labelled "City Boundary." Plat 6 shows lots located between President Street and Norman Street.
Page 57 of the City Engineer's Plat Book with seven plats. Plat 1 shows buildings, wharves, and docks located near South Bay Street. Plat 2 shows lots located near the intersection of Church Street and Chalmer Street, including buildings labelled "Stable," "Kitchen," and "Carolina Hotel." Plat 3 features a lot and several buildings located near Broad Street. Plat 4 features a lot and buildings located on Broad Street. Plat 5 shows lots located near the intersection of Broad Street and Rutledge Street. Plat 6 shows lots located between Broad Street and "St. Michaels Alley." The last plat shows lots on East Bay Street, between Pinckney Street and Hasell Street.
Hand-colored steel engraving depicting the Roman Ghetto. Engraving by Samuel Valentine Hunt after a painting by Louis Haghe. From Picturesque Europe, published London: Cassell, Petter, Galpin & Co.
Color lithograph showing two representations of the garments of the Jewish high priest. Lithography by Mayer Merkel & Ottmann, New York; copyrighted by Hubbard Bro's (1874).
Black-and-white steel engraving depicting the Roman Ghetto. Engraving by Samuel Valentine Hunt after a painting by Louis Haghe. From Picturesque Europe, published London: Cassell, Petter, Galpin & Co.
Black-and-white offset print reproduction of the interior of the Grand Synagogue of Paris on Yom Kippur. From a drawing by Auguste Deroy. Published in the October 31, 1874, edition of Le Monde illustré.
Black-and-white offset print reproduction of the interior of the Grand Synagogue of Paris, on the occasion of its inauguration. Published in the September 19, 1874, edition of Le Monde illustré.
Black-and-white offset print reproduction of the exterior of the Grand Synagogue of Paris. From a drawing by Auguste Deroy. Published in the October 31, 1874, edition of Le Monde illustré.
Black-and-white compilation of illustrations of landmarks in San Francisco, including Temple Emanu-El on Sutter Street. From the article "San Francisco in der Phantasie und in der Wirklichkeit" by Theodor Kirchhoff, published in Die Gartenlaube.
Black-and-white offset print reproduction of the interior of the Grand Synagogue of Paris during the synagogue's inauguration. Published in the September 19, 1874, edition of Le Monde illustré.
Black-and-white offset print reproductions of the exterior and interior of the Grand Synagogue of Paris. Published in the September 12, 1874, edition of L'Univers illustré.
Black-and-white lithographed portrait of lawyer and statesman Adolphe Crémieux. Lithograph by Alexandre Néraudeau. From Panthéon républicain, published Paris: A. Fayard.
