Record of David Henry Mordecai's illnesses and schooling, mostly in Heidelberg, Germany, with some notations at Ems. With sporadic notations of weather, and mentions of South Carolinians Albert Rhett, William, John & Alfred Preston, Charles Boyd, Hammond, Legare, D.C. Seixas & others. References to museums, artwork and plays seen. Mentions of health and cures, the need for an operation (p. 73); stupidity of peasants vs. slaves (18); lynching (21), political situation in Kansas (30); doomed nature of American slavery (31); inevitability of Civil War (31-2); state support of SC College (56-57); women who "paint" their faces (111). With constant references to family, and some financial jottings. Some entries in German.
David Henry Mordecai's 1857 diary contains details of a trip through Turin, Milan, Venice, Vienna, Heidelberg, etc with frequent references to artists and specific works seen in Museums. A flare up of consumption triggers change of plans; before embarking for Egypt, he mentions various Charleston friends including Rhetts, Middletons, Prestons and Hamptons, trips to the opera and a life-changing event not described. With botanic specimens and notations in rear of book.
Dora Altman grew up in Charleston, South Carolina, where her father worked as a tailor. Her parents’ emigration from Poland was sponsored by a relative, a member of the Mendelsohn family. The Altmans attended the Orthodox synagogue Brith Sholom and, at some point, Dora switched to Kahal Kadosh Beth Elohim, the Reform temple where services were conducted in English. Dora remembers playing with both Jews and gentiles as a child; the Henckel twins, members of the Coburg Dairy family, were among her closest friends. Dora was engaged to Samuel Turtletaub when he was killed in France during World War I. She never married. During the interview, Dora identifies certain photographs (see the Dora Altman collection, Mss. 1006 in Special Collections, College of Charleston), and is joined by interviewer Haskell Ellison, also a Charleston native, in recalling Charleston’s Jewish families and merchants of the early 20th century.
