Hand-colored lithographed portrait of actress Suzanne Reichenberg in costume as the title character in Henri Meilhac's comedy Margot. From Costumes of the Modern Stage, Part 5, published London: John C. Nimmo.
Black-and-white lithograph of the exterior of the exterior of the Semper-Synagoge (Semper Synagogue), also known as the Dresdner Synagoge (Dresden Synagogue) or Alte Synagoge (Old Synagogue). Drawing and lithography by E. Müller.
Black-and-white woodcut portrait of author Sholem Aleichem. Portrait by Hayim Kalman. Published by the Farband fun Yidishe ḳulṭur-gezelshafṭn in Franḳraykh.
Hand-colored engraving of financiers gathered at the Royal Exchange in London. Several Jewish figures are present in the scene, including Sir Moses Montefiore in conversation with Nathan Mayer Rothschild. Drawn and engraved by Isaac Robert Cruikshank and George Cruikshank, published London: Sherwood, Neely & Jones. From Life in London or, the Day and Night Scenes of Jerry Hawthorn, esq., and his elegant friend, Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their rambles and sprees through the Metropolis by Pierce Egan.
Text of a song entitled "Victory Hymn of a Straussian," written in reaction to the appointment of theologian David Friedrich Strauss to the University of Zurich in 1839. The text, in Swiss German, reads : "Äh e chli heidnisch / Möchtid mer werde / Chönntid dänn türggisch / Läben uf Erde! / Ach e chli jüdisch / Möchtid mer sÿ / Swärid dänn gwüß / Käni Zinsli meh chlÿ!" In English, the text reads : "Oh, a bit heathen / We want to become / We could then like the Turkish (Muslims) / Live on Earth! / Oh, a bit Jewish / We want to be / Then certainly / No more would any interest (from lending money) be small!"
Black-and-white offset print reproduction of the first Cabinet of the Confederate States, including Judah P. Benjamin serving as Attorney General. From Harper's pictorial history of the Civil War.
Hand-colored etched satirical portrait of financier and philanthropist Sir Isaac Lyon Goldsmid. Drawn, etched, and published by Richard Dighton, August 1824. Reissue published by Thomas McLean, 26 Haymarket, 1824.