Black-and-white print illustration of the exterior of the former location of Temple Beth-El in New York. Reproduced from an etching by Ernest D. Roth. From Description of the new buildings being erected at 65th Street and Fifth Avenue by Congregation Emanu-El of the City of New York : consisting of Temple Emanu-El, Beth-El Chapel, Community House, published New York: Sherman & Lebair, Inc.
Black-and-white wood engraving of the interior of the former location of Temple Beth-El in New York, on the occasion of its consecration. Original engraving by John W. Evans after a drawing by Gilbert Gaul. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction of the exterior of the former location of Temple Beth-El in New York. Original illustration by Harry Fenn. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction of the interior of the former location of Temple Beth-El in New York, on the occasion of its consecration. Original engraving by John W. Evans after a drawing by Gilbert Gaul. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction of the entrance to the former location of Temple Beth-El in New York. Original illustration by Harley DeWitt Nichols. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction depicting the priestly blessing. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white wood engraving of six New York City landmarks, including the original location of Congregation B'nai Jeshurun on Elm Street. Engraving by William D. Smith after a drawing by Alexander Jackson Davis.