Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by James Mynde after Bernard Picart.
Black-and-white steel engraving of the interior of the Istanbuli Synagogue in Jerusalem. Engraving by James C. Redaway after a drawing by J. Salmon. From Syria, the Holy Land, Asia Minor, &c. Illustrated, Volume 3, by John Carne. Published London & Paris : Fisher, Son & Co.
Black-and-white etching depicting reading from the Torah. Signed by the artist Hermann Struck. The text reads : "Blessed be He, who in His holiness gave the Torah to his people Israel."
Black-and-white engraving depicting a Jewish burial. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting the mikveh of the Great Synagogue in Amsterdam. Engraving by Caspar Jacobsz Philips after a drawing by Pieter Wagenaar, Jr. From Oude en tegenwoordige staat en geschiedenis van alle godsdiensten by William Hurd, Volume 1, published Amsterdam: M. de Bruyn, 1781-1791.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new univeral history of the religious rites, ceremonies and customs of the whole world by William Hurd, published Manchester: J. Gleave.
Black-and-white offset print reproduction depicting the procession of the Torah scrolls during the dedication of the synagogue in Versailles. Published in the October 23, 1886, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white offset reproduction depicting the use of tefillin during prayer. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white engraving depicting a Jewish circumcision. From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 1, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Black-and-white engraving of tefillin (phylacteries), left and center, and a mezuzah, right. From Calmet's great dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published London: Printed for Charles Taylor.
Black-and-white engraving depicting tefillin (phylacteries). From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 3, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Hand-colored wood engraving of a hunchbacked Jewish man, Jaapje Blok, who hires himself out as a lectern at the Amsterdam Stock Exchange. Wood engraving by Henricus Adrianus (Henri) Bogaerts. Published in De katholieke illustratie : zondags-lektuur voor het katholieke Nederlandsche volk.
Black-and-white engraved map depicting the dispersal of the descendents of Noah after the Tower of Babel. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Caricature by Gustave Frison depicting a Jewish stockbroker haggling over the terms of a trade outside the Paris Stock Exchange. He is portrayed as speaking French with a Yiddish accent.
Hand-colored lithographed caricature depicting a Jewish peddler with his wares. The caption, which translates to "All is not gold that glitters," implies that his wares might not be as valuable as they seem. Lithograph by Pierre Langlumé. Published Paris: Noël et Dauty.
Sheet music cover for "Le juif-errant : quadrille pour piano," composed by Philippe Musard, published Paris: E. Troupenas & Cie, London: R. Cocks, and Mainz: B. Schott.
Black-and-white offset print reproduction of the interior of the New Synagogue in Berlin. From an original drawing by Gottlob Theuerkauf. Published in the January 5, 1867, issue of the Illustrirte Zeitung.
Black-and-white offset print reproduction of the interior of the old Main Synagogue in Munich. From a photograph. Published in the October 8, 1887, edition of the Illustrirte Zeitung.
Black-and-white offset print reproduction with a portrait of cantor and composer Salomon Sulzer. Published in the March 15, 1884, edition of the Illustrirte Zeitung.
Black-and-white etched portrait of artist Jozef Israëls. Etching by Charles L. Courtry after a drawing by Israëls. Published London July 18, 1883, by The British & Foreign Artists' Association.
Sheet of black-and-white engravings used as an advertisement for Neu-eröffnete Welt-Galleria by Abraham a Sancta Clara, published Nuremberg: Christoph Weigel, 1703. The center and right plates on the bottom row depict Jews from Frankfurt and Poland.
Black-and-white offset print reproduction with a portrait of jurist Sir George Jessel. Published in the March 31, 1883, edition of The Illustrated London News.
Caricature by Bernhard Gillam published in Puck. The caricature depicts William Walter Phelps, Murat Halstead, and Joseph Medill standing at the "Solomon's Wall" of Blainiac Republicans (referring to James Gillespie Blaine), which is labeled with the words "party patronage." William M. Evarts is shown approaching the wall. In German, the text reads : "Die Juden von Jerusalem versammeln sich noch heutzutage an der sog. 'Salomon’s Mauer' der Tempel-Ruinen und wehklagen über die verschwundene Herrlichkeit Israel’s." In English, the text reads : "The Jews of Jerusalem gather even today in front of what is called "Salomon's Wall" (Western Wall) of the Temple ruins and lament the vanished glory of Israel."
Black-and-white lithograph of the Western Wall in Jerusalem. Lithograph by Thomas Picken after Ermete Pierotti. Printed by Day & Son. From Jerusalem explored, being a description of the ancient and modern city, Volume 2, by Ermete Pierotti, published Cambridge: Deighton, Bell, and Co.; London: Bell and Daldy.
Black-and-white engraving depicting the piazza outside of the Roman Ghetto. The gate of the ghetto can be seen at right. Engraving by Giuseppe Vasi. From Delle Magnificenze di Roma antica e moderna, Volume 2, by Giuseppe Vasi, published Rome, 1747-1761.
Hand-colored steel engraving depicting the Roman Ghetto. Engraving by Samuel Valentine Hunt after a painting by Louis Haghe. From Picturesque Europe, published London: Cassell, Petter, Galpin & Co.
Black-and-white engraved portrait of philosopher Baruch Spinoza. Engraving by Michel Odieuvre. From L'Europe illustre, contenant l'histoire abrégée des souverains, des princes, des prélats, des ministres, des grands capitaines, des magistrats, des savans, des artistes, & des dames célèbres en Europe, Volume 5, by Jean-François Dreux du Radier.
Black-and-white engraved portrait of René of Anjou, mistakenly identified as a portrait of philosopher Baruch Spinoza. Engraving by Etienne Jehandier Desrochers.
Black-and-white line engraved portrait of philosopher Baruch Spinoza. Engraving by Wenzel Pobuda. Frontispiece to Sämmtliche Werke : aus dem lateinischen mit dem Leben Spinoza's, Volume 1, by Berthold Auerbach, published Stuttgart: J. Scheible.
Black-and-white engravings depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of, above, and a Passover seder of Portuguese Jews in Amsterdam, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white etching depicting a Jewish man wearing a tallis (prayer shawl) and tefillin (phylacteries). He stands in front of the Portuguese Synagogue in Amsterdam. Text excerpted from Deuteronomy 6:8-9: "And thou shalt bind them for a sign upon thy hand, and they shall be for frontlets between thine eyes. And thou shalt write them upon the door-posts of thy house, and upon thy gates." Etching by Jan Luyken. From Mosaize historie der Hebreeuwse kerke, Volume 3, by Willem Goeree, published Amsterdam: Willem and David Goeree.
Black-and-white engraving depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving depicting a Passover seder of Portuguese Jews in Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
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