Black-and-white etching depicting a Jewish priest and high priest preparing to offer a sacrifice. Etching by Michel-François Dandré-Bardon. From Costume des anciens peuples, à l'usage des artistes, Volume 3, by Michel-François Dandré-Bardon, published Paris: chez Alex-Jombert jeune.
Black-and-white engraving entitled "horse shares." The scene below is observed above by three men holding the Ten Commandments. In German, the text reads : "Abraham: Sie sind maschuker, alles reit, Jetzt reit'n gar auch unsere Leut! Isaack: Der Jzig zieht die Knie ans Maul. Gebt Acht! Der fällt meih Seel von Gaul. Jakob: Der hat doch sonst'n guten Schlufs, Räb Jzig! -- was machst du für Stufs? Jzig: Herunter bringt'r mich doch nit. Er geht am End schon wieder Schritt. Heruntergeworfener. Das Pferd hat wie mein böles Weib, 5000 Teufel in den Leib! Streicher: Wir streichen euch Drei oder Vier, Dann wird es ruhig euer Thier. Madame Pfau: Das Zettelchen ist wirklich gut. Es langt zum Mantel und zum Hut. Magd: Mein braver Herr, der an mich denkt Hat mir die Aktie geschenkt. Schnipp: Komt! schnaufen wir ein wenig aus, Und reiten hin vor's Kaffehaus. Schnapp: Wird's mit der Eisenbahn gut gehn. Dann war's man wie die Gäule stehn. Schnur: Ich zieh den meinen in den Stall. Und deke mich für jeden Fall. Schnepeper: Der reit' Galopp der Trab der Schritt. Ich denk, ich bleib' so in der Mitt. Stallmeister Meseritzer: Macht was ihr wollt, dös wahls ich doch. Mer wherreitn euch alle noch." In English, the text reads : "Abraham: You are crazy, everything is ready. Even our people are now riding! Isaack: Jzig is pulling his knees into his mouth. Be cautious! He's missing the soul of Gaul . Jakob: He typically has a good ending anyways, Rabbi Jzig! -- what nonsense are you doing. Jzig: He'll not bring me down yet. He goes to the end and takes another step again. He is the thrown down one. That horse has 5000 devils in his body, just like my evil woman. Streicher: We are going to mark out three or four for you all, then it will become quiet for you animals. Madame Pfau: The little note is very good. It is enough for the coat to the hat. Magd: My well behaved Sir, who thinks of me, gave me the shares of stock as a gift. Schnipp: Come on! Let us take a breath for a bit, and let's ride ahead to the Coffee House. Schnapp: Will it go well with the train. Then it would stand like the nags. Schnur: I'm going to guide mine into the stables. And will cover them for any situation. Schnepeper: The rider gallops, the trot, the step. I think, I'm going to stay in the middle like this. Stallmeister Meseritzer: You all can do what you want, that's what I vote for. We will outride all of you eventually."
Black-and-white offset print reproduction depicting a fantasy inspired by violinist Henri Wieniawski's performance of Paganini's Carnival of Venice. Published in the April 17, 1858, edition of L'Illustration, journal universel.
Caricature of a Jewish man asking another man for advice. In German, the text reads : --Jude: "Herr Major - as Sie mir sind genannt worden als ein Mann von Ehr - wollt ich mich bei Ihnen informiere - ich hab gekriegt ne Ohrfeige vom Herr Lieutenant Sibitz, was hab ich zu thun in der difficile Sach?" --Major: "Da müssen Sie sich mit ihm schiessen." --Jude: "Gott, er kann todt bleiben und ich kann todt bleiben - und ich bin verheirathet." --Major: "Da muss einer von Ihnen wenigstens Homburg verlassen." --Jude: "Gott er ist zu seinem Vergnügen heir und ich für meine Gesundheit, wer soll weichen?" --Major: "Nun ich würde mir aus eine Ohrfeige so sehr viel nicht machen." --Jude: "Gott Herr Major, wenn Sie sich nir d'raus machen als en Mann von Ehr, ich mach mir gewis nichts d'raus!" In English, the text reads : --Jew: "Mr. Major - as you have been referred to me as a man of honor - I want you to advise me - I received a slap in the face from Mr. Lieutenant Sibitz, what do I have to do in this difficult situation?" --Major: "You must have a shoot out with him." --Jew: "Oh God, he could be left dead and I could be left dead - and I am married." --Major: "Then at least one of you must leave Hamburg." --Jew: "Dear God, he's here for pleasure, and I'm here for my health, who should budge?" --Major: Well, I wouldn't make so much over a slap in the face." --Jew: Oh God, Mr. Major - if you wouldn't make anything of this as a man of honor, then I certainly won't make anything of it!"
Hand-colored lithograph with two scenes dated 1848 and 1898. 1848: "Emancipation of the Jews" depicts a Jewish man on his knees before an officer, offering a bag of money; in his other hand is a document labeled "Jewish emancipation." 1898: "The Christians as slaves of the Jews" depicts three Christians kneeling before a Jewish man in an officer's coat, as a Jewish man drives a Christian man with a whip in the background.
Hand-colored lithograph depicting a crowd outside of the Stock Exchange. The caption reads : "The warning sign is no better here than in the vineyard." The sign reads "Verbotener Weg" (entry forbidden).
Black-and-white offset print reproduction of the interior of the Western Synagogue in St. Alban's Place in London, on the occasion of its consecration. Published in the April 19, 1851, edition of The Illustrated London News.
Color offset print reproduction depicting a Jewish marriage ceremony at the Great Synagogue in London at Duke's Place, officiated by Rabbi Nathan Marcus Adler. Published in the April 15, 1876, edition of The Illustrated London News.
Black-and-white offset print reproduction of the interior of the Great Synagogue in London at Duke's Place. Published in the December 14, 1889, edition of L'Univers illustré.
Black-and-white offset print reproduction of the interior of the Great Synagogue in London at Duke's Place during a service in memory of Rabbi Nathan Marcus Adler. Published in the February 1, 1890, edition of The Illustrated London News.
Black-and-white offset print reproduction of the interior of the Great Synagogue in London at Duke's Place. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white woodcut portrait of author Sholem Aleichem. Portrait by Hayim Kalman. Published by the Farband fun Yidishe ḳulṭur-gezelshafṭn in Franḳraykh.
Black-and-white offset print reproduction of Alexander the Great meeting the Jewish priests and high priest outside of Jerusalem. From A survey of the Holy Land; its geography, history, and destiny by J. T. Bannister, published Bath: Binns and Goodwin.
Black-and-white offset print reproduction with a portrait of French army officer Alfred Dreyfus during his 1899 trial for treason, from a sketch by Dr. Benoit Cimino. Published in the August 26, 1899, edition of Harper's Weekly.
Black-and-white print with a scaled drawing of the façade of the Alte Synagoge (Old Synagogue) in Essen, as seen from Alfredistrasse. From Die neue Synagoge in Essen a.d. Ruhr, published Berlin: Ernst Wasmuth A.G.
Black-and-white wood engraving of a Jewish woman from Algiers. Wood engraving by Pierre Verdeil after Hippolyte Louis Emile Pauquet. Published in Les Français peints par eux-mêmes, Volume 3.
Hand-colored wood engraving of a Jewish woman from Algiers. Wood engraving by Pierre Verdeil after Hippolyte Louis Emile Pauquet. Published in Les Français peints par eux-mêmes, Volume 3.
Print No. 1465 of the series Imagerie d'Épinal, printed and published by Pellerin & Cie. The print includes a depictions of a Jewish man and woman from Algeria.
Black-and-white offset print reproduction of the interior of the Grande synagogue d'Alger (Great Synagogue of Algiers), on the occasion of the synagogue's inauguration. From the Illustrirte Monatshefte für die gesammten Interessen des Judenthums, Volume 2.
Hand-colored engraving depicting a Jewish woman and a Jewish merchant from Algiers. Engraving by Andreas Geiger. From the series Costume Bild zur Theaterzeitung. Published Vienna: Burea der allgem. Theaterz.
Hand-colored engraving of a Jewish woman from Algiers. Engraving after Théophile Emmanuel Duverger. From Die Völker des Erdballs nach ihrer Abstammung und Verwandtschaft und ihren Eigenthümlichkeiten in Regierungsform, Religion, Sitte und Tracht by Heinrich Karl Wilhelm Berghaus, published Brüssel und Leipzig: Carl Muquardt.
Caricature published in Judge. The text reads : --Hockstein: "Iss it a diamond? Ach! Der cutting is imberfect, der stone is off color, t'ere iss tree flaws in it--Vatt! I wouldn't loan--" --Customer (angrily): "But I don't wish a loan! I want you to value it, and I'll pay you for your trouble!" --Hockstein: "Ach! Vhy didn't you say so--it's a peaudiful stone. A pure white, flawless gem ohf der feerst vawter; feefty cents, blease!"
Black-and-white engraving depicting the religious of the world. Judaism is depicted by Moses and the Ten Commandments. Engraving by Robert Pollard. Frontispiece to A new and universal history of the religious rites and ceremonies of all nations of the world by William Hurd, published London: Printed for A. Hogg.
Caricature by James Montgomery Flagg published in Judge. The caption reads : --Customer: "Are the colors in this mackintosh fast colors?" --Clerk: "Very fast; in fact, when it rains, I guarantee that they will run."
Black-and-white lithograph depicting two men hving a conversation on the street. In German, the text reads : "Alle Wetter!! 200 prct und jetzt wo der Moment gekommen ist, dass ich nothwendig Geld brauche, bekäm ich statt dessen - eine Million Zündhölzl!" In English, the text reads : "All weather! 200 prct and now that the moment is finally here, now that I actually need money, I received a million matches instead!"
Engraving of Moses holding the Ten Commandments, surrounded by aborder of vines and scrolls. Published Leipzig: Verlag der Englischen Kunstanstalt von A. H. Payne.
Black-and-white offset print reproduction of Moritz Oppenheim's painting The Wedding (Die Trauung). Published in the May 1, 1869, ediction of L'Univers illustré.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving by Pieter Tanjé after Louis Fabricius Dubourg. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 5, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engravings depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam, above, and Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engravings depicting a marriage ceremony of Portuguese Jews, above, and Ashkenazi Jews, below, in Amsterdam. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engravings depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam, above, and Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white engravings depicting a marriage ceremony of Portuguese Jews, above, and Ashkenazi Jews, below, in Amsterdam. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Hand-colored etching of the exteriors of the New Synagogue and Great Synagogue in Amsterdam. Engraving by Willem Hendrik Hoogamer after a drawing by Cornelis de Kruyff. From Vues choisies d'Amsterdam et ses environs dessinées d'après nature par C. de Kuyf et autres artistes, published Amsterdam: chez Franois Buffa & Fils.
Black-and-white engraving of the exteriors of the New Synagogue and Great Synagogue in Amsterdam. From Le guide d'Amsterdam, ou description de ce qu'il y a de plus intéressant.
Black-and-white engraving depicting financier Joseph Süß Oppenheimer after his execution by hanging. He holds a torch that lights his journey to the netherworld; the gallows can be seen in the background. In the right corner lays his wig, a symbol of his former status.
Color lithograph of the apse and Torah ark of the New Synagogue in Berlin. Lithograph printed Berlin: Lith. Anst. v. W. Loeillot. Published in the Zeitschrift für Bauwesen, Jahrgang 18, 1868.
Caricature by Frederick Burr Opper published in the November 19, 1884, edition of Puck. The caption reads : "Probable effect of this announcement upon timid people who think they resemble him."
Black-and-white offset print reproduction depicting the marriage ceremony of Alphonse James de Rothschild and Leonora de Rothschild. Published in the March 14, 1857, edition of The Illustrated London News.
Black-and-white steel engraving of the interior of the Old New Synagogue in Prague. Engraving by Josef Rybička after an original by Wilhelm Kandler. Published by Verlag von Gottlieb Haase Söhne.
Black-and-white steel engraving of the interior of the Old New Synagogue in Prague. Engraving after an original by Wilhelm Kandler. Published Prague: I. L. Kober.
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William A. Rosenthall Judaica Collection - Prints and Photographs✖[remove]1,584
![[Nous exposons dans ce grouppe retracé à la porte du Tabernacle, le contraste du Grand-Prêtre, orné de ses ajustements pontificaux, avec un Prêtre ordinaire, vêtu de sa tunique de fin lin, & paré de l'éphod sacerdotal…]](https://rspace.library.cofc.edu/iiif/image/35943/full/200,/0/default.jpg)
![[Herr Major - as Sie mid sind genannt worden als ein Man von Ehr…]](https://rspace.library.cofc.edu/iiif/image/39977/full/200,/0/default.jpg)
![[Emancipation der Juden / Die Christen als Sclaven der Juden]](https://rspace.library.cofc.edu/iiif/image/39639/full/200,/0/default.jpg)
![[Alle Wetter!!...]](https://rspace.library.cofc.edu/iiif/image/36204/full/200,/0/default.jpg)
![[Alt-Neuschul i. Prag]](https://rspace.library.cofc.edu/iiif/image/25898/full/200,/0/default.jpg)
