Publication entitled, "Child Care Services in the Social Security Amendments of 1971: General Provisions, and Priorities, Goals and Purposes of Child Care."
Training manual entitled, "ADOPT: Achieving Definitive Objectives through Participative Training," a practical summary of seminars conducted for VISTA program officers and supervisors.
United States District Court, District of South Carolina document regarding the National Board of the Young Women's Christian Association of the U.S.A. (Plaintiff) against the Young Women's Christian Association of Charleston, South Carolina (Defendant), a Civil Action complaint.
Fifth Ecumenical Workshop on Social Change and Development in Latin America developed by IDEAS, including a participant evaluation, program prospectus, analytical outline of program components, and appendices on participants, the Highlander School, and the Danish Folk Schools.
South Carolina Council on Human Relations pamphlet containing its purpose and advocacy for "Public Education," "Black Economic Development," and "Fair Housing," as well as a list of committee, council, and staff members.
VISTA Program Review Board including information on project goals, map of area, Charleston County Area Description, Williamsburg County Area Description, Dorchester County Area Description, Sumter County Area Description, summary of job descriptions, and job descriptions.
Volunteers in Service to America document entitled, "Supplementary Memorandum of Agreement," a form of agreement regarding financial support to Southeast Region of VISTA.
Invitation from the President of the United States to Anna D. Kelly to attend the meetings of the White House Conference on Aging to be held on November 28 to December 2, 1971.
Handwritten notes on the expenses, investigation and trial preparation, preparations of pleadings and memoranda, and trial matters regarding the legal case between National Board of the Y.W.C.A. of the U.S.A. vs. Y.W.C.A. of Charleston South Carolina throughout 1971.
Invitation to the Blacks United For Action, Inc.'s first annual Community Development and Voter Education Workshop held at the Penn Community Center, April 16-18, 1971. Includes a description of the organization with goals and its economic, educational, and political programs.
Sixteen-note sound box, also known as board piano or thumb piano and lukembi, likembe, or kalimba; wooden with keys made from spoon handles, bicycle spikes, or metal keys hammered to the desired shape; keys plucked with thumb and fingers; two holes under the keys and some decoration on the side; inscription "RUMBA OPIKA MIE LEON L24B1954.BUNIA"; origin Bira people of the Ituri rainforest.
Twelve-note sound box, also known as thumb piano, board piano, lukembi, or kalimba; wooden with keys made from spoon handles, bicycle spikes, or metal keys hammered to the desired shape; keys plucked with thumb and fingers; two holes on bottom and one on back; crudely decorated with lines and scratch-like marks; origin Lese people of the Ituri rainforest.
Wooden figure of a leopard man standing over an initiate of the nkumbi circumcision ritual; larger figure has spotted covering, slits for eyes and openings for arms, textured knee-length pants; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Ten-note barrel-shaped sound box, also known as board piano or thumb piano and lukembi, likembe, or kalimba; wooden with keys made from spoon handles, bicycle spikes, or metal keys hammered to the desired shape; keys plucked with thumb and fingers; open at top and closed at bottom; one hole in bottom and one on back; semi-circular red markings on sides and top, rectangles etched on sides; metal wrapped around keys; origin Bira people of the Ituri rainforest.
Twelve-note sound box, also known as thumb piano, board piano, lukembi, or kalimba; wooden with keys made from spoon handles, bicycle spikes, or metal keys hammered to the desired shape; keys plucked with thumb and fingers; one hole on base and one on back; one key has a coil wrap; crudely decorated with lines and scratch-like marks on back; origin Ngwanda people of Central Africa.
Miniature five-string harp with wooden arm and base; base covered with skin that has been nailed down, arm has leopard type decoration, base has markings, hole cut out on top of base; origin Mangbetu people of the Ituri forest.
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Brown with darker brown geometric designs; orign Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Brown with geometric squares; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Wooden stool used in nkumbi initiation; bottom has three incised marks on each side, handle carved on one side near the center column, and incised area in the middle of the top; origin Bira people of the Epulu region of the Ituri rainforest.
Wooden stool supported by four nearly identical carved figures with red mouths; three figures hold the seat of the stool with extended arms; geometric design at base and top; origin Ituri rainforest.
Wooden figure with both animal and human features, bowl-shaped headpiece; wood is soft, appears to be a fetish figure; origin Ndaka people, Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Wooden male fetish figure, hands joined together under chin, helmet-like head covering, rectangular box cut into center; origin Epulu, Democratic Republic of the Congo (formerly Zaire).
Wooden figure that has both animal and human features, standing on two legs with elongated snout, 6 large teeth, head cover with pieces resembling horns and a protruding piece in the middle; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Wooden stool used in nkumbi initiation graduation; top is scalloped, base is square, four decorated block shapes between base and top; etched into one side is "H_ _ _ _ _"; origin Epulu region of the Ituri rainforest.
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Reddish brown with faint orange lines, design is made of small rectangles separated by two lines; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Reddish orange and brown with intricate geometric patterns on light brown background; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Wooden figure of Mbuti carrying a well-carved hunting net, eyes closed, on an oval base; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Five string harp with wooden arm and base, skin covering, strings still attached; origin Bira people of the Democratic Republic of the Congo (formerly Zaire).
Ceremonial knife used in a wedding exchange; curved metal blade with three holes, wooden handle with decorative metal wrap near the blade; origin Democratic Republic of the Congo (formerly Zaire), Mangbetu people.
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Tan in color with random brown stars on one side and brown stars connected by lines on the other side; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Brown with spotted design, one small area of geometric designs; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Intricate geometric pattern throughout with a random design; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Reddish brown cloth, various symbols, designs in black and reddish orange; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Wooden head with both animal and human features; mane, tusks, and nose of an animal, ears, mouth, and eyes of a human; geometric design on base, back is plain, soft wood; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Three pieces of dark brown cloth stiched together with light brown raffia; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Clay pipe with long wooden stem; design engraved around bowl, copper coiled around end of stem; origin Democratic Republic of the Congo (formerly Zaire), Mbuti people.
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Light background with red and gray lines; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Reddish brown background, wavy lines with circles and half circles; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Light brown background, half is decorated with brown circles and half with lines and circles; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Light brown background with red and brown dyed intricate design, geometric shapes, straight lines, and stars; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Dark brown lines with darker brown dye and geometric patterns painted on lines of various shapes; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Reddish brown background, triangles in black plaid, black hooks, and various leaves and stars. One side appears to be unfinished. Origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Half of the cloth is spotted and the other half is made of sections of stars divided by lines. Pale brown background and dark brown dye. Origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Light brown background with black dye, various shapes and two orange lines; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Brown background with black lines, red lines, and black outlines throughout; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Light brown background with dark brown stripes; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Light brown background with dark brown design; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Reddish brown cloth, various geometric designs; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Light background with red dots, gray lines, and triangles with lines; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Tan background with dark brown design; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Small piece of brown bark cloth with painted black squares, red dots, and red and black lines; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Ten-note barrel-shaped sound box, also known as board piano or thumb piano and lukembi, likembe, or kalimba; wooden with keys made from spoon handles, bicycle spikes, or metal keys hammered to the desired shape; keys plucked with thumb and fingers; very decorated; bottom has hole with eleven additional holes encircling it; inscription "CT" and "CP11D" carved into back of wood; origin Ndaka people of the Ituri rainforest.
