Lara DeVille LeRoy talks about her grandparents Rosa and Felix Dziewienski, who “survived the Holocaust by sheer luck.” From the Warsaw ghetto in Poland, where a soldier killed their infant son, they were sent to Plaszow concentration camp. Near the end of the war, they escaped to the forest where they were separated. Felix joined the resistance and Rosa was forced to work for a Russian colonel keeping house and caring for children. After the war Rosa and Felix were reunited in a German DP camp. With two of Felix’s brothers and their wives, they settled in Wurmannsquick, Germany. One brother and his wife, Herman and Maria, immigrated to Atlanta, Georgia, as soon as possible. Felix and Rosa and Felix’s remaining brother and his wife, Carl and Sasha, stayed and made a life. Lara’s father, Roman, was born in 1946. The antisemitism in the German schools was hard on Roman and his cousin, so they were sent to boarding schools in England and Australia, respectively. When Roman was about fifteen years old, he and his parents visited Herman and Maria in Atlanta. Roman announced he would not leave, so they enrolled him in Georgia Military Academy. His parents immigrated to Atlanta about a year later, followed by Carl and Sasha. Lara describes Rosa’s attitudes about food—it was a “cure-all”—plus “there was a lot of focus on the ability to use the bathroom.” In her habits Rosa was very neat and clean, but also a hoarder. “She, for sure, communicated that you had to be strong and put your best face and foot forward. And so, if an emotion could be satiated by a macaroon or salami stick, a larger emotion was not to be displayed in public.” Rosa also demonstrated a strong work ethic, believing you should always do your best. While this concept was conveyed to Lara, it was not imparted to Lara’s father. Lara notes that her grandparents weren’t “equipped to be parents” due to the trauma they endured and the lack of family support. Rosa, in particular, overindulged Roman, setting no boundaries. “I think that I would directly attribute my dad’s drug addiction and his insecurities and his need to self-medicate and his lack of discipline and his, sort of, largess to the Holocaust. I think the way he relates to people is, to some extent, largely influenced by the Holocaust.” Lara found herself driven to learn about the Holocaust; “it drove me professionally because I founded an organization that did Holocaust and diversity education.” She discusses her group visits to Poland, one with her father, one with local Holocaust survivors Pincus Kolender and Joe Engel, and one that she organized while working for Charleston Jewish Federation. “Mankind has not, as a whole, changed because these atrocities still continue. So that’s why I went.” [Note: Roman changed the family name from Dziewienski to DeVille when Lara was three years old.] This is one of a number of interviews conducted by Ph.D. candidate Lucas Wilson, for his dissertation, “The Structures of Postmemory: Portraits of Survivor-Family Homes in Second-Generation Holocaust Literature.” Wilson was awarded two Charleston Research Fellowships (May 2017, February 2019) by the Pearlstine/Lipov Center for Southern Jewish Culture at the College of Charleston.
Blanche Weintraub Wine and her daughter Dana Wine Johnson discuss how the experiences of Blanche's parents as Holocaust survivors have shaped their lives. Blanche, the oldest of six children, explains how Guta Blas and Leon Weintraub met in Wierzbnik, Poland, where they were incarcerated during World War II, and how they reconnected after liberation and ended up in Charleston, South Carolina. Central to Guta and Leon's story is sixteen-year-old Guta's brazen attack on a German officer just as she and other Jews, including her mother, were about to be shot. The force of Guta's personality is a recurring theme throughout the interview. Blanche recalls her mother telling her she was a replacement for her grandmothers, which she says didn't feel like that much of a burden, "but certainly, I knew there were certain things expected of me." She adds, "I was obligated to be the best I could be because . . . I was the product of two special people." Blanche describes how her parents introduced their memories to her as a young girl in an "age-appropriate" manner, providing greater detail as she got older. She became more emotional about her parents' experiences as an adult, when she was old enough to understand the "depth of suffering." Blanche acknowledges she had difficulty fitting in with Charleston's Jewish community and was lonely at times. She was aware that the other Jewish children were surrounded by extended family, something the Weintraubs were lacking. Dana says her experience is similar to her mother's in that she heard about the Holocaust from a young age and her sensitivity to it increased as she got older. She tells her grandmother's story whenever she is given the opportunity. She believes it's important to keep sharing stories so that the lessons of the Holocaust are not forgotten as the number of survivors diminishes. Blanche considers her negative feelings toward Poland and the Polish people, while Dana eagerly outlines her plan to visit Poland and retrace her grandparents' steps. This is one of a number of interviews conducted by Ph.D. candidate Lucas Wilson for his dissertation, "The Structures of Postmemory: Portraits of Survivor-Family Homes in Second-Generation Holocaust Literature." Wilson was awarded two Charleston Research Fellowships (May 2017, February 2019) by the Pearlstine/Lipov Center for Southern Jewish Culture at the College of Charleston.
Richard Weintraub was born in Charleston, South Carolina, the fourth of six children, to Guta Blas and Leon Weintraub, both Holocaust survivors. He relates some details of his parents’ story, in particular Guta’s daring attack on a German officer after being told she and a group of people that included her mother were about to be shot. Richard doesn’t recall his father ever talking about his wartime experiences. Guta, however, “could talk about it anytime, anywhere, to anybody.” Richard believes it was cathartic for her, but says “I’m convinced she never really got it out of her system.” He considers his response, as a child, to hearing his mother’s stories, noting he “never felt any residual effect of their experiences.” Richard describes his childhood as normal and thinks Guta was overprotective of him, more so than his siblings. He explains why he think it’s important to contribute to Holocaust awareness and to speak out against injustice. This is one of a number of interviews conducted by Ph.D. candidate Lucas Wilson for his dissertation, “The Structures of Postmemory: Portraits of Survivor-Family Homes in Second-Generation Holocaust Literature.” Wilson was awarded two Charleston Research Fellowships (May 2017, February 2019) by the Pearlstine/Lipov Center for Southern Jewish Culture at the College of Charleston.
Evaline Kalisky Delson relays her mother’s experiences as a Holocaust survivor. Dientje Krant, born in Bussum, Holland, in 1938, spent part of her early childhood in hiding during World War II. After the war, she rejoined her parents, who themselves were hidden by Dutch families. Dientje, anxious to escape her parents’ strict rules, left home right after graduating from high school and was hired to work on an ocean liner docked in Germany. There she met Evaline’s father, Leonard Kalisky, a Kingstree, South Carolina, native, who was stationed at a U.S. military base. They raised their three children in Isle of Palms, South Carolina, and then Holland, before returning to South Carolina. Evaline describes her childhood and the difficulties that arose from Dientje’s struggles with mental illness and memories of wartime traumas. She talks about how she copes with the residual effects of the challenges she faced growing up and expresses concern for the lack of progress made by mankind. “I don’t think we really learned from these tragedies. . . . I did not think in my lifetime that I would have to stand up like we do for gay rights, for women’s rights, for Jews, for Muslims, to have to have a march because a mosque is being bombed. . . . I thought we would grow. So to hear these stories and to see what’s going on right now in the world, it’s hard because a lot of my family died in vain.” Evaline feels that “it is our obligation, as this direct link to this atrocity, to stand up for these atrocities that are occurring now.” This is one of a number of interviews conducted by Ph.D. candidate Lucas Wilson for his dissertation, “The Structures of Postmemory: Portraits of Survivor-Family Homes in Second-Generation Holocaust Literature.” Wilson was awarded two Charleston Research Fellowships (May 2017, February 2019) by the Pearlstine/Lipov Center for Southern Jewish Culture at the College of Charleston. Note: Dientje Krant Kalisky Adkins’ oral history, Mss. 1035-145, is online at the Lowcountry Digital Library.
Sandra Brett outlines her parents’ experiences during World War II. She responds to questions about her awareness of and reaction to her parents’ wartime stories, and how they have impacted her life. Raised in Johnstown, Pennsylvania, she describes home life for herself and an older brother and sister, saying they had a “pretty normal upbringing.” She notes that she was never interested in the Holocaust until she visited Theresienstadt, in the Czech Republic, about fifteen years ago, and was captivated by the children’s artwork she saw there. An artist herself, Sandra has worked with the Charleston Jewish Community Center and Jewish Federation of Charleston to teach Holocaust history through art, but not out of a sense of honoring her parents or the need to fulfill a mission of remembrance. She gives no more importance to her parents’ stories than to any other survivor, pointing to the large number of atrocities, past and present, worldwide. “I have trouble dissociating that horror from all the other horrors.” She adds, “I think my parents’ story is more important than any reaction that I have to it.” This is one of a number of interviews conducted by Ph.D. candidate Lucas Wilson for his dissertation, “The Structures of Postmemory: Portraits of Survivor-Family Homes in Second-Generation Holocaust Literature.” Wilson was awarded two Charleston Research Fellowships (May 2017, February 2019) by the Pearlstine/Lipov Center for Southern Jewish Culture at the College of Charleston.
Jews--South Carolina--Charleston--Interviews, Children of Holocaust survivors--United States--Attitudes, Holocaust, Jewish (1939-1945)--Influence✖[remove]5
