A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Brown with spotted design, one small area of geometric designs; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Intricate geometric pattern throughout with a random design; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Reddish brown cloth, various symbols, designs in black and reddish orange; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Copper alloy Union infantry buttons, most likely pre-Civil War Federal infantry, with raised Federal eagle clasping three arrows and olive branch and shield containing a capital "I" in the center. Images show forward face of buttons in varying conditions following removal from the submarine interior sediment and initial cleaning, and close-up of three of the buttons following mechanical cleaning, with reverse side of one button showing inscription on back and broken eyelet.
Assortment of non-military four-holed buttons made of glass, possibly ceramic. Images show twenty-five buttons in varying conditions as well as designs showing forward face, seven buttons in varying conditions as well as designs showing forward face, and same seven buttons showing reverse side.
Wooden tooth pick, discovered in three pieces. Images show tooth pick in original location with surrounding sediment during excavation, tooth pick pieces following removal from submarine interior and initial cleaning, tooth pick pieces following mechanical cleaning and freeze drying treatment, and conserved tooth pick pieces reconstructed.
Metal identification tag/medallion with notation for its owner Ezra Chamberlain. Images show each side of the tag following cleaning and treatment, the first reading "Ezra Chamberlain, Co. K, Reg C. T., Volunteers, Enterd Service, Sept. 6 1861", and reverse side displaying a profile of George Washington.
Wooden tool handle, possibly for an awl or file, egg shaped on one end to fit the hand and tapered down on the other. Images show the original location of the handle within the submarine interior with the tapered end lodged between a ballast block and the aft bulkhead, the handle after cleaning and conservation treatment with polyethylene glycol, and handle after freeze drying.
Bull's eye lantern, made of iron, with convex glass lens. Images show concreted lantern during excavation of the submarine interior, x-ray photograph of the lantern, and lantern following and extensive cleaning and conservation treatment.
Currency in the form of an anklet in high relief. Created with puddle mold method of casting. Origin Ekonda people of the Democratic Republic of the Congo (formerly Zaire).
Hunting spear for protection against lions; metal handle and blade with four holes, blade and handle attached by a piece of wood, metal wiring wrapped around sections of the handle; origin Nandi people of Kenya.
Thick coiled rice fanner made of bulrush fastened with palmetto leaf. Although this is a contemporary basket, it is a very old form; few basketmakers use bulrush today because it is extremely tough to work.
Thick coiled round basket of bulrush fastened with palmetto leaf. Although this is a contemporary basket, it is a very old form; few basketmakers use bulrush today because it is extremely tough to work.
Circular brass soap dish that accompanies a brass bucket (1989.001.076) and has a design engraved on it; several holes on the tray and a raised bowl without decoration; origin Berber people of Morocco.
Wooden face decorated with white paint, straw beard, nose holes; face has white dots, outlined nose and lips with lines in the forehead area; string attached through holes in the back; origin Ndaka people of the Ituri rainforest.
Wooden face decorated with white paint, straw beard, nose holes; face has white dots, outlined nose and lips; carved crown decorated with white strips; string attached through holes in the back; origin Ndaka people of the Ituri rainforest.
Glass chicken egg used for inducing hens to lay eggs. According to Mrs. Gold, to encourage a hen to lay eggs in a specific place, farmers would often begin making their nests and place the artificial nesting eggs in them with the hope that the hen would complete her nest in that location. This also helped the farmer keep track of which hens were laying eggs and where the eggs were located. The glass eggs remained in the nest until the hen laid and incubated the eggs and the offspring hatched. It was important to maintain this process and promptly remove the artificial egg so that it could be reused.
A glass turkey egg used to encourage turkey hens to lay eggs in a particular location. According to Mrs. Gold, to encourage a hen to lay eggs in a specific place, farmers would often begin making their nests and place the artificial nesting eggs in them with the hope that the hen would complete her nest in that location. This also helped the farmer keep track of which hens were laying eggs and where the eggs were located. The glass eggs remained in the nest until the hen laid and incubated the eggs and the offspring hatched. It was important to maintain this process and promptly remove the artificial egg so that it could be reused.
Front and top views of a contemporary sweetgrass basket for decorative use in the shape of a hat; center constructed of pine needle; sewn with palmetto leaf.
Front and top views of a contemporary sweetgrass basket for decorative use in the shape of a hat; center constructed of pine needle; sewn with palmetto leaf.
Bundle of wooden arrows wrapped with a piece of raffia, seven with metal tips, fourteen in all; end of one is notched with traces of poison; origin Democratic Republic of the Congo (formerly Zaire), Mbuti people.
Items from Turnbull's "Tourism and Pilgrimage" project; a knife and two clay faces on a felt board, one enamel figure souvenir, and a metal sandal charm.
Half of wood pencil separated along the center where lead is contained. Images show pencil during screening of material in sediment bucket and pencil following cleaning and freeze drying treatment.
Small wood match stick, about the size of a thick match. Images show the match stick in its original location within the submarine near a ballast block and the match stick following cleaning and freeze drying treatment.
Untitled acrylic painting by S.E. Walk of a seated African man holding a long stick in his right hand and wearing a bracelet with a tooth dangling from it on his left. Origin Liberia, but artist is not Liberian.
Peach-colored "Free Angela" pin depicting Angela Davis, political activist associated with the Black Panther Party for Self Defense that was established in 1966 in Oakland, California. Pin also reads "Free all political prisoners."
Patriotic Civil War token with an anti-slavery message. Face image of the token reads "Liberty and No Slavery 1863" and contains an image of Lady Liberty. Obverse image of the token, depicting crossed United States flags, a shield, a liberty cap on a pike, and a garland of laurel leaves with 13 stars.
Sheath of a kukri, or "Gurkha knife"; made of wood and covered in hide; leather cord attached to top of sheath; lightly pressed design on seamless side; origin Nepal.
Pewter slave badge produced for a servant in Charleston, S.C. It was common to counterfeit badges to avoid paying taxes, and this particular one was not issued by the city, but created in the stamped year. The face is stamped "Charleston 1862 Servant #4." Back side contains no markings.
Copper slave badge, square in shape. Face is stamped "Charleston 1840 Servant 1869." 1840 is the year produced and 1869 signifies that it was the 1,869th "servant" badge sold that year.
Wooden dog bell with wooden clapper, cord, and leather strap; bell has pattern on one side; origin Mbo people of the Democratic Republic of the Congo (formerly Zaire).
Union navy uniform buttons, composed probably of brass or copper alloy, with raised upright foul anchor design on horizontal line background and rope border on forward face and backmark inscription that reads "Superfine Standard," with copper alloy attachment clip on back. Images show five buttons in similar condition following removal from the submarine interior sediment, three buttons showing forward face and one button missing backing showing interior following soaking and cleaning, and one button showing forward face and one button with missing backing showing interior following soaking and cleaning.
Front and profile views of a female wooden figure carrying a vessel in each hand. Origin Bena Lulua people of the Democratic Republic of the Congo (formerly Zaire).
Rubber Union Navy four-holed buttons from Navy peacoat wore by crewmember James Wicks with raised letters "U.S.N.", three stars, and horizontal foul anchor on forward face and raised text on reverse side reading "Novelty Rubber, Goodyear's Patent, 1851, New York." Images show forward face of buttons following removal from submarine interior sediment, reverse face of buttons following removal from submarine interior sediment, and close-up of two buttons, one showing forward face and one showing reverse side, following cleaning and conservation.
Brass Confederate artillery buttons with stylized "A" on forward face and inscription and thread loop on reverse side. Images show the forward and reverse face of the buttons, with buttons in varying conditions following removal from submarine interior, four buttons after cleaning and conservation treatment with forward face showing, and two buttons, one showing forward face and one showing reverse side with eyelet and inscription reading "Halfmann & Taylor, Montgomery", after cleaning and conservation treatment.
Mask used during the performance of tambuan (or tumbuan) dances. It is woven from raffia and and has a beak, cross-hatched crown, circular eyes, and reeds projecting from circular ear rings. Origin Papua New Guinea.
Front and interior views of a multiple views of a contemporary sweetgrass basket in the form of a hat, made of sweetgrass and bulrush and sewn with palmetto leaf. There is a felt band sewn inside.
Domed brass or copper alloy non-military buttons, two-pieced with raised shank and hoop on back. Images show buttons in varying conditions following removal from submarine interior sediment and initial cleaning, and four buttons showing forward face domed metal after conservation and one untreated button for comparison purposes showing reverse side with loop.
Non-military brass buttons stamped with design and either two- or four-hole depressed center. Images show four buttons following removal from submarine interior sediment and initial cleaning and two buttons following cleaning and treatment, one showing a stamped rope design and one showing a stamped star design.
Wooden pipe stem and bowl, broken in two pieces, belonging to one of the crew. Images show the pipe in its original location within the submarine interior, and pipe following cleaning, conservation treatment, and freeze drying.
Chair made by slaves from Ridgley Plantation near Florence, South Carolina. The chair is made with mortise and tenon joints reinforced with square nails. The seat is of animal skin. Evidence that the legs of the chair have been shortened indicates that it was a slave's chair. Slaves were not permitted to sit higher than the master or his children.
Three bone buttons acquired from the bodies of John Brown's raiders. The bodies were reinterred at the John Brown Farm in North Elba, New York in 1899. Mounted and framed with a caricature of John Brown.
Five dollar Confederate greenback issued on February 17, 1864 and redeemable two years after the ratification of a treaty of peace between the Confederate States of America and the United States of America. Printed by Evans & Cogswell in Charleston, South Carolina and engraved by Keatinge & Ball of Columbia, South Carolina.
Ten dollar Confederate greenback issued on February 17, 1864 and redeemable two years after the ratification of a treaty of peace between the Confederate States of America and the United States of America. Printed by Evans & Cogswell in Charleston, South Carolina and engraved by Keatinge & Ball of Columbia, South Carolina.
Three untitled pastel prints by South African artist "Sipho." One print depicts women doing domestic work and the other two depict a woman holding a child.
Wooden head with both animal and human features; mane, tusks, and nose of an animal, ears, mouth, and eyes of a human; geometric design on base, back is plain, soft wood; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).