Framed acrylic painting depicting a scene of modern and primitive dwellings being attacked by airplanes and tanks; villagers have guns, bows and arrows, and spears, and are wearing native garments; signed "DzibA C" lower right; origin unknown.
Framed acrylic painting depicting birds flying over a river with mountains and streams in the background; signed "Pp" lower right; origin unknown; unframed dimensions.
Framed acrylic painting depicting five people in a village setting of four structures within a lush forest; signed "NeTUAHO" lower right; origin unknown.
Currency in the form of a tool or pendant with incised geometric decoration, worn at the neck or waist. Part of a six piece set. Origin Tuareg people of Niger.
Front and back views of a metal lunchbox and thermos depicting scenes from the television show "Fat Albert and the Cosby Kids" which aired from 1972 to 1985.
Multiple views of a circular all-purpose sweetgrass basket with decorative sides; contains alternating rows of pine needle and sweetgrass accented with pine knots; sewn with palmetto leaf; distinctive style is known as the "elephant ear" design.
Edison Blue Amberol recording of Fred Van Eps "Darkies Dream" and "Darkies Awakening." Patent information on top of cover reads "1910. John Young, Frederick J Wheeler." Etched into the top of the cylinder is "Thomas A. Edison Patd. 183; 1544 DARKIES DREAM & DARKIES AWAKENING VAN EPS." Bottom of cylinder is imprinted "Seeley Tube and Box Co. Newark, N.J. USA."
Oval ancestoral or spirit board with abstract designs. Ancestor boards are kept in men's ceremonial houses and can represent personal spirits or simply be used for decoration. Origin Papua New Guinea.
Peach-colored "Free Angela" pin depicting Angela Davis, political activist associated with the Black Panther Party for Self Defense that was established in 1966 in Oakland, California. Pin also reads "Free all political prisoners."
Small silver identification anklet, possibly used to mark slaves with a history of escaping. Anklet contains a lock, key, and identification tag, which is blank. Manufactured by Hiatt.
Currency in the form of an anklet in high relief. Created with puddle mold method of casting. Origin Ekonda people of the Democratic Republic of the Congo (formerly Zaire).
Brass anklet with five cowry shells embedded in clay (one missing) and a design etched on either side; origin Ituri region of the Democratic Republic of the Congo.
Smoothly finished art pottery piece with predominantly orange and green coloration. Heart-shaped jar, orange with green and black spots. Smooth finish. Jar stopper designed as a woman without facial features wearing a gele (headtie) and two green earrings.
Patriotic Civil War token with an anti-slavery message. Face image of the token reads "Liberty and No Slavery 1863" and contains an image of Lady Liberty. Obverse image of the token, depicting crossed United States flags, a shield, a liberty cap on a pike, and a garland of laurel leaves with 13 stars.
Bundle of wooden arrows wrapped with a piece of raffia, seven with metal tips, fourteen in all; end of one is notched with traces of poison; origin Democratic Republic of the Congo (formerly Zaire), Mbuti people.
Pyrographic image of a woman carrying a basket of fruit and a child. Reads "Mama Salone," an affectionate term sometimes used in place of "Sierra Leone." Origin Freetown.
Objects from Colin Turnbull's personal shrine; four pieces of jewelry: two cowry shell necklaces, one necklace of seed beads, one bracelet of seed beads.
Ebony ashtray that is a cross-section of a tree trunk; three grooves for cigarettes, etc., center is circular with grooves; inscribed on bottom: AS_H _GATHON"; origin Uganda.
Slave auctioneer's token, 1846. These tokens were distributed as one-cent pieces and served as advertisements for the businesses and services depicted on the coins. Face view of token reads "W.W. Wilbur Auction & Commission Merchant; Charleston, So. Ca.; Going at Only A Penny" encircling the image of an auctioneer. Obverse view of token reads "Merchants & Manufactors Agents; Collection Broker Notary Public" encircling the image of a tree.
A multipurpose ax that was used for digging, clearing and breaking ground. According to Mrs. Gold, it was used in Mount Pleasant before saws and machines were available to clear land to plant crops. The long side was used for hewing trees or bushes and the short side for cutting tree roots.
Front and back views of a metal lunchbox and thermos depicting scenes from the television show "Welcome Back, Kotter" which aired on ABC from 1975 to 1979.
Copper slave badge imprinted "Charleston No. 261 Fruiterer 1812." The badge is a contemporary counterfeit--"Fruiterer" is not a known occupation to be printed upon slave badges.
Copper slave badge, square in shape, reading "Charleston 20 Servant 1823." Under the date, a stamp reads "LAFA," signifying the maker, John Joseph Lafar.
Pewter slave badge produced for a servant in Charleston, S.C. It was common to counterfeit badges to avoid paying taxes, and this particular one was not issued by the city, but created in the stamped year. The face is stamped "Charleston 1862 Servant #4." Back side contains no markings.
Copper slave badge, square in shape. Face is stamped "Charleston 1840 Servant 1869." 1840 is the year produced and 1869 signifies that it was the 1,869th "servant" badge sold that year.
Large straw bag made of dark colored straw and decorated with shells. Lined with brown cloth. The straw was woven in Long Bay Cays and sold to craftswomen in Nassau. Originally purchased in the straw market of Nassau, Bahamas.
Skin carrying bag designed like a large pocket book, made to be worn through the arms on a back, straps crisscross on back; origin Mbuti people of the Ituri rainforest.