The Herbert A. DeCosta, Jr. Papers include materials related to the professional and personal life of Herbert DeCosta, Jr., his wife Emily, and numerous Craft, Crum, and DeCosta family members. Namely, the walking cane of Dr. William Crum.
Avery Research Center
The Keith and Charlotte Otterbein collection contains straw objects obtained while doing ethnographic work in Nassau, Bahamas between 1959 and 1987. Many of the items in this collection were made by individual Bahamian craftswomen (also called "plaiters") who maintained their independence in the straw industry, while four were sold in the Nassau straw market, thus likely mass produced. The light colored plaits of these objects are made of cabbage palm, and the dark colored plaits are coconut straw.
Cast net fishing is a significant part of history in the South Carolina Lowcountry. Africans transported to the Lowcountry, later known as the Gullah people, brought with them skills in boating and fishing. Seafood was plentiful on the South Carolina coast and barrier islands (sea islands) and made up a large part of the diet, just as on the west coast of Africa. The process used for catching fish and shellfish was a cast net. When the net is thrown, the mesh forms a circle, flattening out like a plate. The line is then pulled in, closing the net and trapping everything in it. Usually several people in fishing communities know how to weave and knot the nets; however, it is a skilled art form that has its roots in Africa.
Glendia Cooper, African American potter, grew up in Mississsippi and has exhibited her work in various cities across the United States. Her pieces, inspired by travel in Africa and South America, are created using the coil and slab methods, then shaping, molding, decorating and glazing by hand.
The Edwin A. Harleston collection contains three original paintings by African American artist and community activist Edwin "Teddy" Harleston (1882-1931) of Charleston, South Carolina. The pieces are representative of the early twentieth-century artists famous portraits and landscapes of the South Carolina Lowcountry.
Edwin A. "Teddy" Harleston (1882-1931) was an African American artist and community activist in Charleston, South Carolina. A graduate of Avery Normal Institute and member of Plymouth Congregational Church, he founded the Charleston chapter of the NAACP in 1917 and served as first president of the organization. His father, Captain Edwin G. Harleston (1854-1931), opened Harleston Funeral Home in 1917, and duo ran this business until their deaths in 1931.
Carlton Simmons (1959-) began his apprenticeship with uncle Philip Simmons at the age of 13. Today he is less known for utilitarian ironwork, but his decorative and artistic pieces are highly sought-after.
In 2008, Curtis J. Franks travelled to West Africa as a participant in the Fulbright-Hays program under the auspices of the U.S. Department of Education to explore historical and cultural connections between people of African descent in the Lowcountry and Africans in the Mano River Region (Guinea, Sierra Leone, Liberia and the Ivory Coast), where the artifacts in this collection were acquired.
Dr. Elizabeth Clarice Hall (1946-2005) was born in Albany, Georgia. She earned a B.S. in Biology from Ursinus College in 1968, then an M.S. and Ph.D. in Experimental Psychology from Florida State University in 1971 and 1973. The artifacts in this collection were assembled from Dr. Hall's various trips to Africa.
The George Pope collection contains Nigerian artifacts acquired while Mr. Pope, former U.S. State Department employee, was stationed in the country.
Nike Olaniyi [Okundaye] Davies (1951- ) is an internationally known artist and textile designer from Nigeria. She founded and runs the Nike Center for Art and Culture in Oshogbo [Osogbo], Nigeria, which offers art classes to local youth free of charge. Davies' work has been exhibited in museums internationally and she has received considerable recognition for her efforts in the development of Nigerian art and culture.
The Leo S. Carty Watercolor Print collection contains nine signed and number prints by Leo S. Carty (1931-2010). The primary focus of Carty's paintings are the daily life of blacks in the Virgin Islands at the turn of the 20th century.
Leo S. Carty (1931-2010) was born in Harlem, New York on April 17, 1931. He became interested in art at a young age and at the age of ten received a scholarship to attend the Museum of Modern Art School for Children. In 1976, he moved to St. Croix, Virgin Islands where he lived until his death. His art often portrays daily life and incorporates history, focusing on the Virgin Islands.
- YWCA of Greater Charleston, Inc., Records, 1906 - 2007
- Russell J. Arnsberger Postcard Collection
- Eugene C. Hunt Papers, 1834 - 1994
- St. Andrew's Society of Charleston Records, 1729-2001
- Eola Willis Cuban Photograph Collection, circa 1895-1910
- Charleston Branch of the National Association for the Advancement of Colored People Papers, 1920-1995
- City Year Books for Charleston, South Carolina, 1880-1951
- J. Arthur Brown Papers, 1937 - 1988
- The Thomas Haythe Rare Book Collection
- 1967 King Street Survey Collection
News & Events
- The "Eugene C. Hunt Papers, 1834 - 1994" Are Now Available for Research Use on the LCDL!
- The "Charleston Branch of the NAACP Papers" are Live on the LCDL!
- New! LDHI Publishes Online Exhibition about Civil Rights Leader Septima P. Clark
- Survey! Help Us Improve LCDL
- Accepting Applications for Temporary Staff Position at LCDL!
- Announcing a New Collection: "J. Arthur Brown Papers, 1937-1988"
- Additions to the “Cleveland L. Sellers, Jr. Papers, 1934-2003" Collection Now Available on the LCDL!
- The “Esau Jenkins Papers, 1963-2003” Collection Has Been Updated!