This collection containes a scrapbook, compiled by James H. Holloway (1849-1913), which contains legal documents, personal and business correspondence, receipts, ephemera, clippings and photographs pertaining to the Holloway family, a prominent free family of color in Charleston, SC. Legal documents include deeds (1806, 1821, 1871), a conveyance (1811), slave bills of sale including one for the slave "Betty" (1829), an agreement (1829) to apprentice the slave boy Carlos in the carpenters and house joiner's trade, exhorter licenses to preach and a photograph of a 1797 document declaring patriarch Richard Holliday (Holloway) a free mulatto. Personal and business correspondence include letters concerning the hiring out of slaves, an offer (1837) to buy the "Holloway Negroes", a letter (1831) from Samuel Benedict about emigrating to Liberia, agreements for carpentry work, and information about the Brown Fellowship Society, the Century Fellowship Society, the Minors Moralist Society and the Bonneau Literary Society. Also included are invitations, Confederate and corporate tax receipts, receipts for general merchandise, and Confederate scrip. Other letters and newspaper clippings, including letters to the editor written by James H. Holloway, concern Negro taxes, Negro slaveholders, the Liberia movement, the Methodist Episcopal Church, civil rights and related topics. James H. Holloway's niece, Mae Holloway Purcell, preserved the scrapbook after his death and added to its contents. The bound scrapbook was microfilmed by the South Caroliniana Library in 1977 but was later disbound and reorganized. Using the microfilm as a guide, archivists at the Avery Research Center attempted to recreate the original order and this digital presentation of the scrapbook reflects those efforts.
One of the first fundraising programs developed by Historic Charleston Foundation after its incorporation in 1947 was its annual spring tours of historic houses, during which trained “hostesses” would guide visitors through several private homes in Charleston’s historic district. In addition to raising revenue to support Historic Charleston Foundation’s preservation efforts, the tours performed an educational function by presenting Charleston architecture and decorative arts to both visitors and residents alike. Tour publicity included posters, brochures, and guidebooks, and this collection features some of the promotional materials from the first ten years of the annual tours of houses. Of note are the guidebooks which contain not only house histories written by Samuel Gaillard Stoney, Jr., accompanied by photographs by numerous Charleston photographers, but also information about Historic Charleston Foundation and its activities, essays, maps, and advertisements for a variety of local businesses.
Various monographs and photographs from the Margaretta Childs Archives at Historic Charleston Foundation. The focus of the collection items is primarily Charleston historic buildings, streets, landmarks, and sites. The collection also includes publications related to tourism in Charleston (1879-1948), the Charleston Earthquake of 1886, and the South Carolina Inter-State and West Indian Exposition of 1901-1902.
George W. Johnson took photographs of Charleston buildings and people at the turn of the 20th century. His collection also includes a number of photographs of the 1901-1902 South Carolina Inter-state and West Indian Exhibition.
This collection highlights various albums and scrapbooks housed in the Special Collections department of the College of Charleston library.
Currently the collection includes the Byrnes Downs Garden Club Scrapbook, a European Photo Album, and the Frank Connor Photographic Collection.
The Byrnes Downs Garden Club Scrapbook collection consists of a scrapbook documenting the history, projects, and activities of the Byrnes Downs Garden Club from 1948 to 1953. The scrapbook contains photographs, newspaper clippings, typed histories and explanatory notes, year books including the organizations constitution and membership lists (1948-1953), programs and awards from special events, and one map of metropolitan Charleston from 1945 that details neighborhoods.
The European Photo Album contains 101 black and white photographs of historic sites, artwork and landscapes from Antwerp, Paris, Trianon, Versailles and London. The bulk of the photographs are of Paris and its various sites. The compiler of the album is unknown. Slipped inside the back of the album is a map of Venice, a plan of the second floor of the Louvre and a map showing the layout of Versailles. The photographs were taken in the 1890s.
The Frank Connor Photographic Collection includes 69 black and white photographs and postcards of actors and singers and one theatre program collected by Frank Connor, an actor who appeared with many of the people shown. The majority of the photographs are signed studio portraits, with the subjects often appearing in theatrical costume.
This collection features hundreds of photographs of ships built or repaired at the Charleston Naval Shipyard, primarily during the World War II years.
These images are from the collection of illustrated newspapers, primarily Harper's Weekly and Frank Leslie's, housed in the archives at the Charleston Museum.
These images are from the collection of photographs relating to Charleston area forts, specifically Fort Sumter, Fort Moultrie and Fort Johnson.
This collection contains earthquake photographs held by the Charleston Museum, America's first museum. Currently the collection features 204 photographs documenting the damage inflicted on Charleston by the earthquake of August 31, 1886. Primarily professional photographs, these images were sold as souvenirs of the devastating quake.