Rabbi William A. Rosenthall's collection of Judaica prints and photographs. These images document the Jewish people: their lives, history, religious ceremonies, dress, and customs. Also included are Jewish New Year cards, caricatures, and clippings from Jewish journals and publications. Rosenthall was the rabbi at Charleston's Kahal Kadosh Beth Elohim Synagogue from 1976 to 1992. He traveled extensively during his life and collected items related to Jewish life and culture.
The photos in this collection were taken as part of a season pass that patrons could purchase for unlimited admission to the South Carolina Inter-State and West Indian Exposition, held in Charleston in 1901 and 1902. Each individual’s photo was mounted in a passbook kept by the patron and a duplicate photo was mounted in an album kept by the Director of the Departments of Admissions and Collections, Hugh James Fleming (whose image is on page 34, number 297). The album contains images of 1,326 people, of whom 1,213 are identified by a caption presumably made at the time the photograph was taken. The total number of season pass photos taken for the Exposition is unknown, but similar photos beyond the present collection are known to survive in extant individual Exposition pass books. Mr. Fleming donated this photographic album in 1948 to the Charleston Free Library (now called the Charleston County Public Library). The letter regarding its provenance and donation to the library has been included as the final image in this collection (number 157). Since the paper on which the gelatin silver photographs are mounted is extremely brittle and in a state of deterioration, the album was disbound several years prior to its digitization in order to facilitate its preservation.
“The Lucille Hasell Culp Collection - A Celebration of Beaufort, South Carolina” contains a selection of 300 images, primarily photographic negatives, from the much larger Lucille Hasell Culp Collection. Here one finds selected images of enduring historical value to Beaufort, such as those relating to community and military events, built structures that are no longer extant or greatly altered, iconic architecture, commercial activities, natural vistas, and daily life, 1941 – 1999. Most of the images were taken in the immediate area of the City of Beaufort, S. C. during from the 1940s, 1950s, and 1960s.
Lucille Hasell Culp was born on September 30, 1921 in Denver, Colorado, a daughter of Andrew George Hasell and Hazel Frances Middleton Hasell. Culp moved to Beaufort with her family in 1933 to help on the Old Oak Plantation farm of her recently widowed aunt, Nellie Hasell Fripp. Culp purchased the Palmetto Studios in 1941 from Samuel Kosiner. In 1948 she married her second husband, William “Bill” Culp who helped her run the business until his death in 1975 at age 52. She continued to work out of 809 Bay Street for another 16 years, closing the studio in 1981.
When the Bay Street studio closed, Culp relocated her vast archive of negatives to her modest home on Ribaut Road. Because of the degradation caused by the variable environmental conditions of the South Carolina lowcountry, some of the materials initially given to the Library ultimately had to be destroyed. The bulk of the images chosen for this digital collection were retrieved from her home. Unfortunately, some images display the irreversible ravages of long-term storage in non-archival conditions.
Culp died on August 8, 2007 in Charleston, SC. Culp was survived by three nieces, Frances Hasell Haselden, Barbara Hasell Bradley, and Bonnie Hasell Antonucci and stepdaughter, Pamela Culp Rodriguez. A biographical sketch of Culp entitled “A View Through a Fine Lens” is a chapter in Remembering the Way It Was at Beaufort, Sheldon and the Sea Islands (History Press, 2006) by Fran Heyward Marscher. The Beaufort County Library was awarded SC SHRAB (South Carolina State Historical Records Advisory Board) grants to fund the services of photographic archivist, Celeste Wiley, to perform the initial survey, arrangement, and preservation plan on the Lucille Hasell Culp Collection in 2008 – 2009. The preliminary Finding Aid to the Lucille Hasell Culp Papers is found on the Beaufort District Collection web page.
Provenance: Donated by Frances Hasell Haselden in 2007 on behalf of her aunt, Lucille Hasell Culp, by power of attorney to the Beaufort District Collection of the Beaufort County Library; additional materials from the Estate of Lucille Hasell Culp were received in 2008 and 2009. Copyright: Copyright of all items within the Lucille Hasell Culp Papers has been transferred to the Beaufort County Library.
A Charlestonian who attended both the College of Charleston and the School of Architecture of the University of Pennsylvania, Joseph Mordecai Hirschmann practiced architecture with the New York firm of Walker and Gillette. His architectural training induced a special interest in old world buildings, and on his European holidays in 1924 and 1927 he made numerous sketches in watercolor, conte and pencil of buildings and ruins in Italy, France and North Africa. In addition to those sketches, this collection also includes numerous renderings of architectural details observed during those travels.
A growing collection of photographs from The Citadel. Current photographs include interviewees of the The Citadel’s Oral History Program taken by Citadel cadets.
In order to attract new business to the area, the city of Charleston hosted the South Carolina Inter-State and West Indian Exposition in 1901-1902. This collection contains pamphlets of illustrations and exhibit information.
This collection from Historic Charleston Foundation consists of B&W photographs of buildings and other properties located in Charleston County that were destroyed, relocated, or otherwise modified because they were in the right-of-way of where roads were being constructed or widened. Building and dwelling types include houses, apartment buildings, freedman’s cottages, mobile homes, commercial and industrial buildings, churches, schools, gas stations, restaurants, grocery stores and corner markets, garages, sheds, outhouses, and other outbuildings.
Roads include Interstate 26 (I-26), Route 171 (Folly Road/St. Andrews Boulevard), Route 17 (a portion of which is known as Savannah Highway), State Road 894 (Azalea Drive), State Road 31 (Reynolds Avenue), and State Road 13 (Remount Road). It is notable that some photographs in the U.S. Route 17 and I-26 groups show the area affected by the construction of the Crosstown and the Silas Pearman Bridge (a/k/a Cooper River Bridge).
Many photographs depict Charleston County street scenes in the 1960s, showing people and pedestrians, cars, billboards, signage for businesses (including gas prices), etc., as well as the architectural styles of commercial buildings and residences throughout the county. Additionally, residents of several dwellings appear in many of the photographs.
Only a portion of specific addresses and/or locations are identified. However, each photograph contains the name of the property owner which may be useful in a keyword search of the collection. Addresses may also be determined by looking up the property owner’s name in city directories, but note that the property owner and resident may not be the same person. There may be multiple views of the same structure, which will be evident by comparing the property owner’s name, tract number, and station notes. Of note, addresses have been identified for the buildings and properties affected by the construction of both the Crosstown (U.S. Route 17) and I-26 in the area located within Charleston city limits in the upper part of the peninsula). Those addresses were determined by the 1951 Sanborn Map of Charleston, volumes 1 and 2.
Some photographs are marked in ink showing the area to be affected by the right-of-way. Most photographs also feature SC Department of Transportation surveyors indicating the location and direction of the future roadway by their stance or by their use of surveying range poles.
The collection is organized by road, then by docket number, within which most are either in chronological order or organized by tract number. The reverse side (verso) of each photo includes Docket (Dkt.) number, Route, County, Property Owner, Tract, Station, and Date. (See below for explanation.) Many also have a brief surveyor’s note related to the right-of-way status. Samples of the reverse side of photos are also included. Original photographs are 5" x 7".
The following is a brief guide to understanding the station description:
- +: Plus sign
- ±: Plus or minus
- Rt: Right side of the road
- Lt: Left side of the road
- CL: Center line of the road
- R/W: Right-of-way
- S.B.: Southbound
- N.B.: Northbound
- ∆: Triangular area of land or a median
The stationing of roads is done in survey feet, not inches. Surveyors use feet, tenths, and hundredths of a foot. For example, the beginning of a road would be 0+00 (zero feet) and for every 100 feet, the number increases to 1+00, 2+00, etc. Therefore, if a station is 42+00 Rt, it is 4,200 ft. from the beginning of the road on the right side. (Note that right and left are related to the stations as they increase.) The beginning stations are usually at the start of a subdivision or at the “T-intersection” of roads. (Explanations provided by Roy T. Adams, Surveyor, SC Dept. of Transportation.)
Samuel Hyde was a photographer and amateur historian who lived in Charleston and in Summerville, S.C. He was the "chief cemetery investigator" for the South Carolina Public Service Authority during the creation of Lake Moultrie. This collection contains 2 groups of his photographs - 25 prints from the South Carolina Inter-State and West Indian Exposition taken in 1901-1902 when Hyde was a teenager., and approximately 100 images taken in 1939 in the area of Lake Moultrie during its construction.
The photographs of the Exposition depict buildings designed by Bradford Gilbert, a New York architect, and sculptures created by Louis C. Gudebrod, Charles Lopez, Carl Tefft, and Elsie Ward. The buildings in the photographs were located in present-day Hampton Park, and were temporary, made with wood frames covered with stucco and plaster mixed with jute. These buildings were destroyed after the Exposition.
The photographs from the vicinity of Lake Moultrie were taken in 1939 when Hyde was charged with cataloging and researching the graves that were moved prior to the lake's creation.. The subjects of these photographs include cabins, churches, cemeteries, the Santee Canal, and the construction of Lake Moultrie. At least ten different cabins appear to be represented, and they seem to contain one or two rooms. Some have clay chimneys and clapboard roofs. During construction of the lake, approximately 500 black families were relocated. It is likely that these cabins were located in the area now covered by Lake Moultrie.
Roy S. MacElwee was a planner who specialized in port development. He created a plan for the waterfront of Charleston in 1929. This collection is an oversized scrapbook of photographs and clippings about the design of waterfronts for cities worldwide. It includes 20 professionally made 8x10 photographs and several dozen pages of clippings, and an article on his plan for Charleston. Though most of the land was eventually reclaimed, no grand boulevard extends north of the Ashley River bridge today and MacElwee's vision of building "one of the most famous water front driveways in the world" was never realized.